Cocodrillo Turbo is one of Bronson’s finest releases in some time, managing to finesse the more challenged elements of other recent releases. Action Bronson arrived on…
Orville Peck’s sophomore album Bronco proves he isn’t just a sideshow gimmick — he’s in on the joke. Because he’s released a continuous stream of new…
Two Ribbons is a project that opens up new possibilities for Let’s Eat Grandma, not yet perfected but still showcasing smart lyricism and musicality. Let’s Eat…
For better or worse, Everything Was Beautiful is more of the same from Spiritualized. In spite of an announcement stating that they were through, Jason Pierce’s…
Future It’s been a while since we last heard from Future — if, and only if, one goes off of his previous track record’s metrics.…
Like The Slim Shady LP before it, Eminem’s fourth and arguably most enduring album The Eminem Show is receiving a very big, very deluxe reissue…
It’s Almost Dry is a bit lacking in connectivity and coherence, but it still hits highs on the strength of Pusha’s emcee skill and the dual…
Stardust is something of a reset for Lean, showcasing the rapper’s facility with various styles and successful, mode-switching collabs. While many would love to deny it,…
Wet Leg delivers attitude and energy, but doesn’t quite distinguish itself the familiar sounds the duo trade in. Riding an immense wave of hype, Wet Leg…
Fear of the Dawn finds Jack White as singular, strange, and knavish as ever, course correcting his recent musical missteps and settling into a pleasant and…
High proves that Caitlyn Smith elevates contemporary country. The narrative around Caitlyn Smith — that she kicked around Nashville for several years as a highly regarded…
Break Me Open offers more of the same soothing, late-aughts folk from S. Carey, a record that will appeal to existing fans but unlikely to draw…
Pusha T Let’s face it: Pusha T is an undeniable cornball. He’s the type of dude who thinks it’s impressive to claim that his brand…
B.I.B.L.E. is evidence that the past year’s features king is only grinding for superstardom, sanding down any Brooklyn drill edges in favor of bland studio…
In both its raucous joy and delicate introspection, Familia finally finds Camila establishing a sound and perspective distinctly hers. Although she’s been part of the…
Crooked Tree is a sensational work of bluegrass that both honors the genre’s tradition and forges a proudly modernized take. There’s a stark, potent metaphor…
A deeply personal record of disillusionment and quiet rage, Skinty Fia is easily Fontaines D.C.’s most adventurous work yet. The 2010s brought with them an…
Fivio Foreign “I’m fightin’ my demons while fuckin’ this demon,” Fivio Foreign claims on the Kanye West tribute track “Through the Fire” (the song even…
LP.8 reflects a notable progression for Owens, but one that flattens her sound in the name of concept. Kelly Lee Owens’ third record, LP.8, is…
It’s hard to believe that a folk group created in one of the most inorganic of ways — that is, covering songs that were already…