Put a woman in jail and she is either a victim or a martyr. The brilliance of Argentinean director Pablo Trapero’s fifth feature film, Lion’s…
Chilean filmmaker Pablo Larraín’s darkly compelling second film, Tony Manero, is a sadistic character study set in 1978 Santiago. It’s unrelenting and often unpleasant to…
G.I. Joe: The Rise of Cobra is not a great movie. It’s not even a good movie. But we need a different set of aesthetic…
Lorna’s Silence, the latest award-winning film from Belgian brothers Jean-Pierre and Luc Dardenne, begs discussion. Its unresolved ending tends to have a polarizing effect on…
Orphan is a nasty, unpleasant movie, filled with predictable plot turns, one-dimensional characters, and some really lousy dialogue — but it’s also a lot of…
As the newly crowned king of adult comedies (not necessarily of the raunchy, R-rated variety, although that also applies), Judd Apatow has forged a career…
Modest Sundance hit The Answer Man is one of those films that seems to erase itself from your memory days after seeing it. It’s a hokey…
Francis Ford Coppola’s Youth Without Youth didn’t do his career many favors. At least not from audiences and critics that were confounded by the seemingly…
Not unlike last year’s Academy Award-winning doc Man on Wire (which also played at the Provincetown Film Festival), Louie Psihoyos’ The Cove utilizes familiar narrative…
Harry Potter and the Half-Blood Prince, the sixth film in the Potter franchise, begins with the same ominous sense of darkness that pervaded the opening…
The moody and intense Public Enemies is a curious picture, and it’s going to be a great divider, creating two polarized camps of love and hate.…
Should you shell out 10 clams to see Blood: The Last Vampire? Well, that depends on what you’re looking for. Solid acting, remotely believable dialogue,…