In the history of metal music, there are perhaps no other records met with as much variance of opinion as Metallica’s 1991 self-titled album, which is mostly known as The Black Album. It’s a record that marked a pivotal moment in the band’s career, gaining them a much…
Beckett On paper, Beckett would seem to hold plenty of promise. Directed by Ferdinando Cito Filomarino and produced by his ex, Luca Guadagnino, the film also boasts the involvement of cinematographer Sayombhu Mukdeeprom, famous for his collaborations with Apitchapong Weerasethakul, and composer Ryuichi Sakamoto. On top of that…
Thrice Upon a Time is yet another bold, challenging, pathos-filled apocalyptic plunge into the human psyche. Hideaki Anno is doing it all over again. No, not in a literal sense: any longtime Evangelion fan knows full well by now how little the animator ever truly repeats himself, even…
1982’s supernatural horror flick The Entity — based on a true story, mind you — concerned a woman who was repeatedly assaulted and raped by an unseen force. The new Uruguayan film Ghosting Gloria dares to ask the question: what if that same premise was turned into a…
Bull There’s no shortage of revenge pictures out there; at this point, it’s such a well-trod genre that it’s gone through its own classical-to-revisionist-and-back-again cycle. In other words, Bull isn’t doing anything particularly new, but it manages to forge its own identity by doubling down on eerie, moody…
Hideaway is simply more of the same for Wavves, a band that feels past their expiration date. So great was the thirst for music festival-friendly indie rock in the latter half of the 2000s that for a moment, garage rock revivalism caught on, mainstays of the scene like Black…
The Kid LAROI The story of The Kid LAROI thus far, for those not in the know (which, to be fair, would be the majority of the music-listening public up until a few weeks ago): Aboriginal Australian Charlton Kenneth Jeffrey Howard, at age 14, is discovered by Juice…
After a mediocre attempt at reviving the jiangshi hopping vampire movie as one half of the directing team behind Vampire Cleanup Department, Hong Kong actor Chiu Sin-Hang has made his solo directorial debut with an infectiously energetic boxing movie. One Second Champion stars Cantopop artist Endy Chow as…
Hong Kong director Ann Hui joins several of her most illustrious peers as the subject of a biographical documentary, Keep Rolling. Unlike Hou Hsiao-hsien, Jia Zhangke, and Johnnie To, however, she does not sing karaoke in the film. But she does tell Sylvia Chang that she wishes she…
Raging Fire When credits roll on Raging Fire they are accompanied by behind-the-scenes footage of Benny Chan at work directing the film. It’s a warm tribute to the late director, who died of cancer shortly after filming this, his last movie. That he was gone before post-production began…
Ema is Larrain’s best film yet, a technical marvel and narrative step forward that hopefully anticipates the tenor of his next stretch of work. It hasn’t always been quite clear what Chilean filmmaker Pablo Larraín has been working toward, nor where he might steer his career next, first getting…
An astounding six years went into the making of Frank and Zed, writer-director Jesse Blanchard’s magnum opus of friendship and bloodshed. But this is no ordinary feature film, as Blanchard employs an all-puppet cast in telling his tale; the sets have all been meticulously crafted by hand, while…
Junk Head A stop-motion animated epic over seven years in the making, Junk Head is the work of one obsessively dedicated man, Takahide Hori. An interior decorator by trade, Hori embarked on his passion project with no formal filmmaking training, inspired by the homemade computer animations of Makoto…
Annette is somehow both Carax’s weirdest and safest film, a letdown even as its vision remains bold. One-time enfant terrible Leos Carax, foremost contemporary purveyor of l’amour fou, the missing link between the nouvelle vague and the cinema du look, fervent admirer of Stallone’s Paradise Alley, and creator…
On the strength of Gunn’s outré humor and filmmaking sensibilities, The Suicide Squad is nothing less than the most enjoyable comic book flick in a quick minute. With David Ayer’s 2016 Suicide Squad being roundly considered an abject failure (despite heavy studio meddling) and the so-called DC cinematic universe…
Tsai’s latest, like the director’s best works, revels in the unexpected, sublime textures of daily routine and understated tenderness. Those familiar with Tawainese auteur Tsai Ming-liang will know what to expect from his latest feature, Days, which won the Teddy Award at the 2020 Berlinale. With his trademark slow-burn style, Tsai…
All Hands on Deck dabble in tropes and archetypes, but still manages a vibrancy that keeps the film afloat. One of a number of Rohmer riffs making the festival rounds currently, All Hands on Deck (originally titled À l’abordage!) is also the latest film from Guillaume Brac, a director whose work just…
In recalibrating its source material, The Green Knight often proves compelling, but it doesn’t always convince as a fully liberated work. “I see legends,” Gawain (Dev Patel) is prompted to say as he observes the commencement of King Arthur’s Christmas banquet. Too obviously, he wants to join them. David…
Jungle Cruise’s attempts at throwback family adventuring are lost to a miasma of awful VFX and greenscreen compositing. For some reason, Disney’s Jungle Cruise, a $200 million family-oriented studio blockbuster based on a children’s amusement park ride, begins with the opening strains of Metallica’s “Nothing Else Matters.” Riddle…
Delmer Daves has his deserved champions, but even so, he’s an interesting sell; not a hard one, per se, but one that’s mildly inundated with caveats and hesitant admissions. Kent Jones aptly touted Daves’ directorial penchant for goodness, benevolence of all kinds, which implies a risk of saccharine…
The winner of FIDMarseille International Competition, as well as the recipient of its Best Actress award in that category, Haruhara San’s Recorder proves an appropriate choice for the festival’s (basically) top prize, speaking to this year’s apparent curatorial themes and adhering to a pace not dissimilar to that…