Like a vengeful cornered beast, Nicolas Winding Refn’s Valhalla Rising exhibits a desperate ferociousness during even its most lyrical moments. Set in 1000 AD…
Ongoing military conflicts in Afghanistan and Iraq define the last decade of American foreign policy, not only for their historical representation of a shady…
I love Mumblecore! Well, I hate the word “Mumblecore,” but I love many of the films that get this label. These are films from…
Time has had a unique effect on John McTiernan’s 1987 sci-fi action classic Predator. While its status as a genre benchmark has solidified over…
In a summer season besieged by stinkers, M. Night Shyamalan’s The Last Airbender took very little time to gather a reputation as the most…
The parallels between Martin Scorsese’s Shutter Island and Christopher Nolan’s much-anticipated Inception form a fascinating Siamese twin. Overlapping themes of familial fissures and regret make…
Even at the ripe old age of 88, Alain Resnais’s filmmaking engine seems to have an endless supply of creative fuel left. Like clockwork,…
Most films never expand past their 16:9 rectangular tombs, passively projecting until they inevitably fade to black. But a film like I Am Love…
It’s an ironic kind of blessing when the tag “Walt Disney Pictures and Jerry Bruckheimer Films present” is appended to a film’s opening titles.…
The chill comes off the screen. Ice hangs from the roofs and tree limbs. Frost covers the ground. The girl is in a boat,…
Not many films possess the mindset of a black widow — eager to lure you in, chew you up, and spit you out as…
Mia Hansen-Løve wears many creative hats; actress, film critic, screenwriter, and director. After starring in two of fiancé Oliver Assayas’s films in her late…
“A crack commando unit was sent to prison by a military court for a crime they didn’t commit. These men promptly escaped from a…
A witless, calculated attempt to start another Pirates of the Caribbean-style franchise (this one based on a video game series), Mike Newell’s Jerry Bruckheimer-produced…
In wildly different ways, Catherine Breillat’s Fat Girl and The Last Mistress envision the collective invasion of the female psyche by male oppressors. In…
Neil Jordan is one of those directors whose reputation mysteriously exceeds his productivity. Few of his films stand out as anything more than thrill…
The films of writer/director Nicole Holofcener are trim and personal, lit with the light of real life and warmed by the friction of relationships…
How to Train Your Dragon is warm and winning, a real charmer of a family film. Given that it’s a product of Dreamworks Studios,…