The Passenger boasts a duo of capable directors behind the camera, but little beyond the impressive visuals lands with any force. Those looking for…
Hallelujah doesn’t quite strike the right balance between portrait of the artist and myth of the song, but its littered pleasures will likely still be…
Beavis and Butthead Do the Universe offers the type of low-stakes low humor that demands little but gives generously to those willing to engage. Beavis…
The Forgiven doesn’t have any substance or style to elevate its tired tale of how rich people suck. “Rich people behaving badly” has become such…
Clara Sola is a bold, confrontational work, perhaps a bit too blunt in its symbolism, but carried through by Chinchilla Araya’s raw, enigmatic performance. The…
We’s length is felt perhaps a bit too much, but it’s ultimately a visually rich and vigorous film that locates a warm humanity with…
The Black Phone establishes a new high water mark for masked killer horror, singular and effective in its eerie details even if a bit familiar…
The Man from Toronto is as familiar as assassin-centric action-comedies come, but nevertheless proves a refreshing blast of mid-summer fun on the strength of its…
CIVIL wades into necessary discourse, but stops short of probing any of the thornier facets of Crump or the culture that has led to his…
Baz Luhrmann’s Elvis delivers what’s expected: thrillingly pure exhibitionism for its own sake, the kind of massively scaled contemporary blockbuster in too short supply…
Flux Gourmet has a few tasty morsels, but it mostly offers glimpses at the more adventurous filmmaker that Strickland used to be. The films of…
A Man of Integrity is a probing, challenging film, a poetic latticework of sadness and anger. Leave it to the fates of film distribution that…
Apples boasts a rich starting premise, but too often undermines its conceptual potency with obvious punchlines and lazy sentimentality. What would society look like…
Beba is a uniquely fascinating or formally gorgeous mining of personal history, one that fully immerses viewers into its subject’s headspace. “You are now…
The Other One is an overcomplicated affair, but also a hyper-stylized and thrillingly violent one, and further proof that American blockbuster cinema is lagging. Released…
No one is going to mistake Lightyear for a return to form for Pixar, but its littered small pleasures make for an inoffensive animated space…
Spiderhead is pure algorithm “art,” an empty bad-tech tale that delivers nothing new or exciting. You’d be forgiven for getting excited for a mid-budget, talent-driven,…
Jerry and Marge Go Large presents its larger-than-life tale with restraint and sincerity, imbuing its caper framework with the tenderness of a Christmas comedy. If…