Mother Schmuckers is sub-John Waters more-busting that fails to understand the essential appeal of its inspirational touchstone. American audiences encountering the Belgian gross-out comedy Mother Schmuckers…
The Batman is an entirely overlong and overextended affair, but otherwise delivers gorgeous imagery, thoughtful mythos, and playfully brooding emo inflection. The Dark Knight is moodier…
Rock Bottom Riser is a work which regrettably shoehorns haptic political messaging into its otherwise incredible footage. Located somewhere in the Pacific Ocean — a body…
Huda’s Salon uses genre trappings as a pretext to gesture at loose connections to reality rather than meaningfully developing anything. The crucial difference between a…
Servants is a brutal, efficient affair, unconventional in its dramaturgy but landing with considerable force. Director Ivan Ostrochovský’s Servants begins with a cryptic, murky sequence…
The Desperate Hour is such a shrug of a film that it isn’t even worth considering the potentially offensive exploitation of its conceit. With The…
Butter is an irresponsible, wholly offensive exploitation of serious mental illness concerns. On its surface, new teen dramedy Butter seems like the kind of film…
Ghosts of the Ozarks tees up a potentially fascinating horror-western premise, but much of its appeal dissipates as its back half becomes frustratingly obvious. There’s…
Poly Styrene doesn’t do much formally, but its personal stakes and unflinching candor still manage to resonate. Making a documentary about any icon is a…
Miss Willoughby and the Haunted Bookshop rides its quaint aesthetic all the way to feeling already dated. On paper, Brad Watson’s Miss Willoughby and the…
Potato Dreams of America is an uneven, arrhythmic effort that undermines its early promise with a blunted second half. If Marvel’s Wandavision has left you…
The Novelist’s Film One of the most pleasurable ways to engage with a Hong Sang-soo film is to consider the similarities and differences between each…
Friends and Strangers has plenty on its mind and is expertly crafted, but it fails to fully coalesce into a cogent whole. Friends and Strangers,…
Uncharted is a bland, National Treasure-esque mess of CGI and hackneyed globe-trotter tropes. Uncharted is the umpteenth attempt by Hollywood to turn a globally popular…
Hellbender is the best kind of DIY effort, technically accomplished and on the verge of transcendent horror. 2019 introduced genre audiences to The Deeper You…
Coma There have been a number of “lockdown movies” since the outbreak of Covid, and most of them have been unfortunate affairs. While it’s true…
Studio 666 is an obvious labor of love for Grohl and co., but one that delivers neither the necessary horror or comedy of its fan-service inspiration.…
Rimini The curtain doesn’t quite fall in wintry Rimini, this latest nondescript and non-place in life’s long march toward certain death. In Ulrich Seidl’s latest…
A Banquet is atmospherically impressive for its first two acts, but doesn’t quite know how to stick the landing. The decision to eat or abstain…
Dog thankfully avoids propagandist war dog tropes and instead builds something sweet and poignant from its mismatched buddy comedy conceit. Having vanished at the peak…
Texas Chainsaw Massacre is yet another forgettable series entry, distinguished only by its lame attempts at social relevancy. When David Gordon Green revived Laurie Strode…