After generating a considerable amount of notoriety and speculation for a film of its scale, the people can now finally watch The People’s Joker.…
Following quickly after the opening credits to She is Conann — a rapid montage of freakish landscapes played to a hypnotic classical piece —…
David Depesseville’s debut feature, Astrakan, is a film that is at once deeply humanist and utterly pitiless. Essentially a character study, the film depicts…
There’s something rotten at the heart of the Mexican elite, so says writer-director Joaquin del Paso in his new film, The Hole in the…
Icelandic director Guðmundur Arnar Guðmundsson’s Beautiful Beings is a brutal yet abundantly tender coming-of-age tale that examines how intergenerational trauma mars the friendships that…
Grand Jeté is a gorgeous film to behold, but its visual design is unfortunately in service of material that’s too one-note and depthless to…
After Blue is a delirious visual experience, but Mandico stretches his few ideas far too thinly, resulting in a beautiful but repetitive trudge. Bertrand…
Despite clearly belonging to a lineage of oddball, lo-fi comedy, A Dim Valley still marks itself as a unique contribution. Shot through a gauzy…