DIRECT ACTION, co-directed by Guillaume Cailleau & Ben Russell, traces the outer contours and inner lives of the persons within the ZAD de Notre-Dame-des-Landes (the…
All We Imagine As Light “This city takes time away from you,” says one of the seven disembodied voices introducing us to the wide-awake-at-night Mumbai…
You Burn Me Matías Piñeiro is best known for loosely adapting Shakespearean texts via small-scaled, interpersonal dramas: Twelfth Night in Viola; Measure for Measure in…
A continuation of the Trypps cinematic approach he’s established, but merged with material adapted from René Daumal’s surrealist fantasy novel Mount Analogue, Ben Russell’s latest,…
Haruhara San’s Recorder The winner of FIDMarseille International Competition, as well as the recipient of its Best Actress award in that category, Haruhara San’s Recorder…
Ben Russell, previously known for travelogues and semi-ethnographic hallucinatory trips, plays his latest feature straight: Good Luck is a good deal longer than most of his previous films, but…
Our fourth dispatch from this year’s New York Film Festival (here’s one, two, and three) includes the Chinese-American filmmaker Chloé Zhao’s docudrama The Rider, about South Dakotan…
Noted experimental filmmakers Ben Rivers and Ben Russell have a lot more in common besides sharing a first name. Their respective oeuvres are filled with…