Bruce LaBruce, the more consistent enfant terrible of Canadian cinema, begins his pornographic Teorema reformation, The Visitor, with direct quotation from Enoch Powell’s “Rivers of…
Saint-Narcisse isn’t LaBruce’s most audacious film, but it reflects a new, thoughtful instance of his particular audacity. There is surely more space in Hollywood for queer…
Night of the Kings Storytelling is at the crux of Philippe Lacôte’s entrancing sophomore feature, whose structural integrity depends upon a viewer’s willingness to accept…