MUNA’s self-titled latest is a clunky, uneven affair plagued by wild vacillations of quality and thoughtless lyricism. Synthpop has seen a huge revival in the…
Despite being a contractually obligated record, Laurel Hell nonetheless proves successful in landing its messaging. Following a genuine attempt to quit music altogether, Mitski returns with Laurel…
With Jubilee, Japanese Breakfast make a personal and social statement, proving indie rock doesn’t have to be tepid and stodgy. For the last couple of years,…
After a nine-year absence, Bright Eyes returns with Down in the Weeds, Where the World Once Was, the group’s ninth LP and a shining reminder…
After recent collaborative albums, Punisher shows Phoebe Bridgers to be a complex and preternaturally formed artist in her own right. At this point, Phoebe Bridgers…