The Novelist’s Film One of the most pleasurable ways to engage with a Hong Sang-soo film is to consider the similarities and differences between each…
From its title alone, Gastón Solnicki’s latest film suggests that it avoids grand statements, instead choosing to offer an assemblage of conceptual lagniappes, ideational odds…
“Obvious” is likely the last word that would be used to describe Argentine writer-director Gastón Solnicki’s Kékszakállú—by a large margin, the most baffling film discussed…
The 35th Vancouver International Film Festival is past its halfway point and continues to deliver a refreshingly varied cinematic slate. This second dispatch covers three…