Scénarios The last image of Jean-Luc Godard’s last film Scénarios is one of the most heartbreaking in his long, storied, notorious, glorious, defining, essential career.…
It has now been seven years since Heinz Emigholz, until 2017 mainly known for his semi-silent architecture films, reintroduced language into his cinema with Streetscapes…
The Lobby’s punishing perspective and comical presentation make for a wryly self-deprecating inquiry into death and all things philosophical. “There is no here here” —…
Heinz Emigholz opens his latest, Slaughterhouses of Modernity, with a voice. This would have normally been shocking as Emigholz’s austere “Photography and Beyond” series of…
Walk Up Walk Up is Hong Sang-soo’s trickiest film since The Day After (2017), and his most intricately structured effort since The Day He Arrives…
Time From the western to the road movie, the legacy of the climactic homecoming looms large in American cinema, which is everywhere peopled by vagrants…