Claymation, most readily identified for its craggy, almost comedic artificiality, can, in fact, most truthfully express our deepest and, at times, darkest emotions. The…
After several festival dates in 2023, Simon Barrett and E.L. Katz’s Azrael seemed to fall off the face of the Earth. Given the current…
In 2014, Dawn DaLuise, a renowned Hollywood facialist, was arrested and charged with solicitation for murder after being accused of hiring a hitman to…
Nicole Riegel’s debut feature Holler was an unusually sharp bit of indie realism, an unvarnished look at economic depression in the aftermath of NAFTA via…
Having recently acquired a rustic palatial estate in the Irish countryside, Dani (Carolyn Bracken) tends to interior renovations while husband Ted (Gwilym Lee) works…
Two households, both alike in silent grief, In fair Midwest town, where we lay our scene, From ancient sorrow break to new relief, Where…
There is perhaps no genre more worked over, commented upon, or deconstructed than the slasher; that most basic of horror staples has engendered all…
Scarcity, meet self-interest: with the rising threat of ecological collapse and the persistent wherewithal to do little about it, dystopian scenarios have increasingly sought…
With so much modern horror based in ’80s VHS nostalgia or mired in transmuting trauma, it’s enough that Late Night with the Devil’s set…
Considering the wealth of nightmarish aesthetic possibilities, it’s difficult to understand why stop motion animation isn’t more heavily utilized within the realm of horror.…
Initially part of the upstart, so-called New French Extremity, director Xavier Gens’ debut feature Frontier(s) displayed an amusingly outré sensibility, mashing together various horror…
Between the birth of the civil rights movement and the present dearth of ideological nuance, no small credit should be given to the former…
A pitiless Midnight Madness title about demonic possession, the pressing questions going into a film like IFC’s When Evil Lurks really boil down to…
Sebastien Marnier’s latest breezy, twisty thriller The Origin of Evil may lack any deeper interrogation in its Agatha Christie-reinvention of deception, but its strong…
Genre filmmaking is in a weird place currently, and has been for a while now. Self-referentiality, endless didacticism, and an absence of any sense…
Early on in What Comes Around, Amy Redford’s sophomore feature (coming after a 15-year hiatus), it becomes clear that logic will be an absent…
“U.S. history is a branch of a larger tree of history… but it’s that covetous branch that thinks it’s the tree.” Proffered somewhere partway…
Sci-fi-tinged two-hander Biosphere is the latest offering from Mr. Mumblecore himself, Mark Duplass, who not only stars, but also co-wrote the script with director…