Pascal Plante’s third feature, Red Rooms, premiered at last year’s Karlovy Vary Film Festival, before screening to both critical and popular acclaim at Fantasia, where it…
To its considerable credit, Stephen Soucy’s recent documentary, Merchant Ivory (2024), resists the tendency toward hagiography. It’s an understandably tempting opportunity, composed as the film…
Courtney Stephens and Callie Hernandez premiered their new film, Invention, at Locarno last month, not quite sure what kind of life or reception it would…
Nathan Silver is perhaps best known for his prodigious output, releasing nine feature films period of 2012 to 2019. His prolificness is made all the…
Zach Clark’s films embody so many of the inspiring qualities of great low-budget filmmaking: scrappy, rough-and-ready production values stretched to feel more expensive than they…
Last Saturday, August 17, the Locarno Film Festival ended and of the biggest name that was snubbed from the awards ceremony was Ramon Zürcher. At…
Director Christoph Hochhäusler arrived on the international scene in the early aughts, as the film world began discovering a plethora of unique, formally inventive movies…
On September 13, 2022, Masha Amini, a young 22-year-old girl was arrested by the Iranian religious morality police for allegedly not wearing her hijab in…
British filmmaker Ben Rivers is competing in the 2024 Locarno Film Festival with his newest film, Bogancloch. It is Rivers’ second feature about Jake Williams,…
Early in India Donaldson’s Good One, a balanced hiking trip of four is quickly cut down to three, shifting the dynamics for teenager Sam (Lily…
Like an oak presiding over what came before and what might follow, Kier-La Janisse’s documentary study Woodlands Dark and Days Bewitched (2021) roots folk horror…
Where does a song come from? And how does it happen? In November 2021, driven back inside to obsess about air particles again thanks to…
Since the release of her 1995 debut feature My Sister’s Good Fortune, Angela Schanelec has become recognized as one of the most unique and significant…
Lucy Kerr’s debut feature Family Portrait is a startling discovery. An elliptical puzzle of a film that circles around a mystery that is never answered,…
Alex Ross Perry first made a name for himself in an emerging class of young New York filmmakers in the late aughts. What followed was…
In town to open the 34th Singapore International Film Festival with her debut feature, Tiger Stripes (2023), Amanda Nell Eu settled into a cafe at…
Kit Zauhar should probably be one of the shining bastions of American independent cinema today. Her two features to date represent two forms of the…
Cinematographer and film critic Carson Lund moves to the director’s chair with Eephus, a laid-back comedy following a ragtag group of men as they play…
Your films have been widely described as having thematic preoccupations with the future and its anxieties, but at the same time they also are imbued…
With our own culture marginalized, when it isn’t being stripped for its most clean and convenient parts, queer people have often taken back from the…
As Lav Diaz’s films have shrunk in reception, they have only grown in eclecticism and importance. A decade on from Norte: The End of History…