Over the course of her filmography, Jessica Sarah Rinland has demonstrated an unusually perceptive eye for the natural world and its inhabitants. Her camera’s fascination…
Little Boy In a less-than-apocryphal anecdote repeated throughout the French media, Jean Renoir once said, “I made La Bête humaine because [Jean] Gabin and I…
Henry Fonda for President Thoughtful film curation asks us to consider films in a new light. Alexander Horwath knows this better than most, having served…
Babygirl Halina Reijn’s Babygirl is aware of the discourse. It’s read all the articles that have been passed around online, it knows what’s considered problematic…
The Seed of the Sacred Fig As titles go, the latest from Iranian filmmaker Mohammad Rasoulof epitomizes a rare fidelity to its subject. The Seed…
Not all of the poetic evocations of Jessica Sarah Rinland’s Those That work, but it’s still a lively, playful, and niche document of art creation.…
Our seventh and final dispatch from the 2019 Toronto International Film Festival (here’s our first, our second, our third, our fourth, our fifth, our sixth)…