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Kiyoshi Kurosawa

by InRO Staff Film Year in Review

Top 25 Films of 2020 — 10-1

From our Honorable Mentions post: It goes without saying that 2020 was a year like none other in recent history. Significantly, by virtue of living through such times, it’s also a year that retuned minds to see history being made in the present. There are…

December 23, 2020
Before We Vanish by Christopher Bourne Film

Before We Vanish | Kiyoshi Kurosawa

In the 1990s and 2000s, Kiyoshi Kurosawa emerged as one of world cinema’s most accomplished and interesting filmmakers: Cure, Pulse, Bright Future, and Doppelganger (among others) are potent, arthouse-friendly genre films — or, alternately, genre-friendly arthouse films — that far transcend their J-horror marketing to explore, in…

February 2, 2018
by InRO Staff Festival Coverage Film

New York Film Festival 2017 – Dispatch 4

Our fourth dispatch from this year’s New York Film Festival (here’s one, two, and three) includes the Chinese-American filmmaker Chloé Zhao’s docudrama The Rider, about South Dakotan rodeo culture; Kiyoshi Kurosawa’s Invasion of the Body Snatchers/Starman hybrid Before We Vanish; and Ben Russell’s Good Luck, a relatively normal (for him),…

October 14, 2017
by Lawrence Garcia Film

Daguerrotype | Kiyoshi Kurosawa

Although widely dismissed during its initial premiere, Daguerrotype, Kiyoshi Kurosawa’s first French-language production, finds the Japanese genre master in peak form; the first hour alone fulfills the promise of the director’s formal rigor being transposed to a ghost story in the French countryside. Jean…

July 25, 2017
by InRO Staff Festival Coverage Film

Japan Cuts 2017

Japan Cuts—the largest screening event for new Japanese films in North America—just wrapped its 11th annual edition this week. Our one and only dispatch from the fest this year includes new films from the auteurs Sion Sono (ANTIPORNO) and Kiyoshi Kuroawa (Daguerrotype); respected but lesser known…

July 25, 2017
by Luke Gorham Film Horizon Line

Creepy | Kiyoshi Kurosawa

After last year’s tepidly-received Journey to the Shore proved a curious misfire, Kiyoshi Kurosawa chose to return to the familiar motifs of his most successful crossover work: the procedural, impotent detectives, and psychological abstraction. This naturally, and unflatteringly, places Creepy alongside some of Kurosawa’s…

October 21, 2016
by InRO Staff Festival Coverage Film

New York Asian Film Festival 2016

The New York Asian Film Festival is currently in the midst of its 15th year (it kicked off on June 22nd and will run until July 9th). As per usual, the festival represents one of the densest screening schedules of upcoming and repertory Asian cinema in the…

July 6, 2016
In Review | Online film and music criticism