After spending his early career transfiguring the aesthetics of early Jean-Luc Godard and other works from the French New Wave’s starting days for his…
#20. Right after a brief voiceover intro that immediately breaks the fourth wall, Leos Carax’s Annette cuts into the opening — or more appropriately,…
InRO’s Best Films of 2021 train keeps chugging, today checking in with #16-20. All films, even if we previously covered them, have been revisited…
Annette is somehow both Carax’s weirdest and safest film, a letdown even as its vision remains bold. One-time enfant terrible Leos Carax, foremost contemporary…
“I’ve only loved girls with dead fathers.” So says Denis Lavant’s young criminal Alex during the midpoint nocturne of Mauvais sang, the sophomore feature…
The Last Word from Your Editor, Sam C. Mac: With the 2010s officially over, the time seems right for another departure: after 12 years…
All one need do is look at the many and varied riches cinema had to offer in 2012 to disprove the crowing — yes,…