Before making her feature film debut with 2019’s Atlantics, French-Senegalese director Mati Diop produced a series of poetic short films, all of which explored…
Botox is everywhere, and Ozempic will follow. To voluntarily place a needle in one’s skin is no longer an image of deviancy, but one…
Six years ago Zia Anger’s live cinema presentation My First Film (from which the film My First Film is adapted) sparked a fire around…
Crossing opens with a title card stating that Georgian and Turkish are gender-neutral languages, with grammar not containing gender-oriented articles. We then are introduced…
In her previous film Wet Sand, Georgian director Elene Naveriani depicted a clash between the urbane, laid-back values of Tbilisi and the small-minded cruelty…
In a 2021 Bomb Magazine interview with RaMell Ross, filmmaker Turner Ross articulates the method that he and his brother, Bill, utilize when embarking…
With Yannick, filmmaker and absurdist Quentin Dupieux has synthesized the irreverent, a product of his usual gags and conceits, and the satirical, afforded by…
To the uninitiated, written descriptions of Radu Jude’s cinema might give the wrong impression of his films as dizzyingly dialectical exercises requiring a complete…
Vacation in Malia on the Greek island of Crete, a British tourist hub that might as well be hedonism incarnate, doesn’t end well for…
A lush, elemental reckoning unfurls across the relatively condensed runtime of Felipe Gálvez Haberle’s debut, The Settlers, even if few of its proceedings strictly…
Finnish director Aki Kaurismäki’s latest film Fallen Leaves is a continuation of his Proletariat series. The previous films — Shadows in Paradise (1986), Ariel…
When Wim Wenders’ Perfect Days was announced to play in competition at this year’s Cannes Film Festival, his first since 2008’s totally forgotten Palermo…
Blanket declarations about three-hour-plus runtimes always seem curious when filmmakers employ said length for wildly different purposes. Though the sweeping epic may be the…
Consistently divisive and successfully provocative, Sebastián Silva had existed in a seemingly charmed space — relative to that of the average, contemporary independent filmmaker…
With Passages, American indie filmmaker Ira Sachs builds on the not-unexpected Euro-arthouse move he made with 2019’s underwhelming Cannes competition swing Frankie, which threw…
“Girlfriend” — whether the companionship implied is defined via romantic means, as a partnership, or via an external projection of friendship, the term is…
Killing, at first glance, can seem something of a left-field move for cult director Shinya Tsukamoto; it’s a slow-paced period piece that expends nearly…
David Lynch, a filmmaker with an oeuvre so inimitable and a style so recognizable that he is one of a handful of directors whose…