How refreshing it is to see a debut film. Movies by established directors, even directors one likes, carry the burden of expectation. “Every movie is…
In the opening title scroll of Kleber Mendonça Filho’s The Secret Agent, the Brazil of 1977 the film takes place in is announced as “a…
At the beginning of Lucrecia Martel’s first feature-length documentary, Landmarks, we’re presented with satellite images of Earth. From this zoomed out perspective, there are no…
Sharon Lockhart adds 12 more static master shots to her filmography with Windward, but that doesn’t mean she isn’t finding new ideas for how to…
The Mastermind Of Kelly Reichardt’s many talents behind the camera, historically, she is not a filmmaker you would refer to as “a trickster” — there…
In 1974, the East Asia Anti-Japan Armed Front (henceforth EAAJAF) followed in the footsteps of the Japanese Red Army by committing several terrorist acts in…
It’s a shame I had to see Kent Jones’ Willem Dafoe vehicle, Late Fame, on the Upper West Side at NYFF in mid-September. It was…
Who among us can’t relate to Samuel Beckett’s post-apocalyptic word-worlds at the moment? The answer is apparently those who are too blind to see. El…
In 2017’s Summer 1993, director Carla Simón’s feature debut, a young girl is sent to live with her mother’s family in Barcelona after her mother’s…
A film festival architected from a premise of curatorial excellence rather than red carpet cachet, the New York Film Festival annually arrives with fewer expectations of first-glimpse prestige than of centralized access to the year's on-offer best. That being the case, it also means we've usually already caught up with a sizable chunk of NYFF's
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