While technically a “Covid film,” shot on weekends with friends and family during the first wave of lockdowns in early 2020, Tyler Taormina’s Happer’s…
David Lynch, a filmmaker with an oeuvre so inimitable and a style so recognizable that he is one of a handful of directors whose…
The way in which people interact with the archaic or outmoded is an ever-evolving proposition. Especially given the unbelievable pace of the 20th and…
Piggy is a startlingly visceral and bloody affair happy to indict and wreak revenge upon a toxic modern society. The pros and cons of virtual…
Deadstream takes a while to get going, but the Winters ultimately deliver a smart, playful found footage movie that proves stylistically a cut above. Joseph…
Sissy wants to have its cake and eat it too, but all of its many ingredients don’t add up to anything new or satisfying. Viewers…
Speak No Evil is a grueling experience in the best possible sense, punctuating by a giddily mean-spirited and pitch-perfect ending. Like an unholy amalgamation of…
Sharp Stick is a more specific work than much of what Denham has produced in the last decade, but it’s hindered by an awkward, shaggy…
Hypochondriac is but the latest elevated horror project to arrive, spinning its wheels for 90 minutes without anything new to say. Fans of elevated…
The Other One is an overcomplicated affair, but also a hyper-stylized and thrillingly violent one, and further proof that American blockbuster cinema is lagging. Released…
Natalia Sinelnikova’s We Might As Well Be Dead begins with a bedraggled family slowly traversing a long road through dense forest, a towering high…
Director July Jung’s first film, 2014’s A Girl at My Door, starred Bae Doona as a policewoman who gets transferred to a small fishing…