Even when Jorge Luis Borges wrote screenplays, they weren’t necessarily “Borgesian” — not, that is, distilled into the particular pleasure of following one of Borges’…
Long takes involving medium-to-wide shots of landscapes have nearly cemented themselves as festival-cinema staples, so it’s not surprising to see an IFFR Tiger competition film,…
Excepting the newly bicurious and the chronically polyamorous, most people will adore Erupcja for the wrong reasons. Pete Ohs’ sixth narrative feature has, on the…
Isolationism breeds a variety of affects that spur those involved toward indelibly discrete action. In many, Sho Miyake’s latest, Two Seasons, Two Strangers, courses the…
A father dies, the family prepares the deceased for the next life. The simplicity of the premise of Tenzin Phuntsog’s narrative feature debut, Next Life,…