One of the things that Rob Savage’s The Boogeyman has going for it is that it’s often too dark to see what’s happening. That’s not…
With DASHCAM, Savage threads a tricky needle of Screenlife, first-person POV, and found footage cinema, but if you can vibe with the assemblage, there are…
Titane What is the role of “transgressive” art in an ostensibly liberal society? Or, to put it another way: In a cultural context where the…