Death and destruction are the mainstays of war, but it is war’s fatigue — long-drawn and uncertain, for both its combatants and victims —…
The rise of A24 as a production company and distributor has seen with it the public recognition, on Tik Tok and Reddit, of the…
Though comfortably placed in the more adventurous screening programs at film festivals, Eduardo Williams’ work has also managed to stand proudly independent of the…
Read a review of any of Angela Schanelec’s feature films and you’re bound to encounter adjectives like “elliptical,” “confounding,” and “obscure.” It’s true —…
As Catherine Breillat’s first film in a decade, Last Summer scans initially as an altogether more mannered affair for the director. Known for her…
Sadly, the title of Ariane Louis-Seize’s debut feature tells you virtually everything you need to know about the film itself. The Quebecois horror-comedy Humanist…
The degree to which actors can elevate unexceptional material by their mere presence is difficult to gauge. After all, plenty of indifferently conceived star…
Many critics’ wrap-ups from the 2023 edition of Cannes included dismissive language directed at Ken Loach’s new film competition film, The Old Oak. As…
In light of the ongoing SAG strikes, this year’s TIFF featured a bevy of actor-directors, (generationally) ranging from Michael Keaton to Finn Wolfhard —…
Reality television has become one of the most dominant modes of storytelling in media entertainment. In fact, the reach of reality television, as well…
Many critics have already labeled Joanna Armow’s laboriously titled The Feeling That the Time For Doing Something Has Passed a “millennial” comedy (a fitting…
To the uninitiated, written descriptions of Radu Jude’s cinema might give the wrong impression of his films as dizzyingly dialectical exercises requiring a complete…
The Holocaust has been mined for kitschy platitudes for a long time now. It seems that artists, against their best instincts, just aren’t able…
The familiar quietude of vacant alleys, secret crooks, and empty restaurants; those shared moments of unspoken reminiscence and silenced discovery. With Here, Bas Devos…
Singaporean filmmaker Anthony Chen’s most impressive career achievement to-date might have come during the 2013 Golden Horse Awards, when his debut feature, Ilo Ilo,…
Newly christened Director’s Fortnight General Delegate Julien Rejl has expressed a desire to highlight new voices with his first programmed slate — not just…
The issue at the heart of Jonathan Glazer’s The Zone of Interest is one of the oldest in the cinema: how does one represent…
Pedro Costa’s new eight-minute short film The Daughters of Fire is more daring, more formally complex, more beautiful than almost any other recent work one…