Polish director Agnieszka Holland’s last film, 2023’s Green Border, was a fact-based drama about migrants who were lured to Belarus by false promises of asylum,…
A visual motif that reoccurs throughout Rebecca Zlotowski’s latest film, A Private Life, is a spiral staircase. Beyond being chic and Parisian in the way…
“The year you were born,” reads the opening title card to Palestine 36. It’s a daunting prescription that also invites the viewer into the story.…
Melancholy, that inexplicable feeling of pensiveness, constitutes the centerpiece of memory, at least when memory divulges itself to its owner and defers all fantasies of…
“Is this what the end of the world feels like?” The question is posed from one beleaguered raver to another, on a school bus somewhere…
Despite its almost apologetic title, the latest feature from Iranian filmmaker Jafar Panahi bears a highly incendiary load. Not quite a call to arms against…
Sirāt “Is this what the end of the world feels like?” The question is posed from one beleaguered raver to another, on a school bus…
His debut feature Son of Saul anointed László Nemes as the Béla Tarr heir apparent (challenged, briefly, by Hu Bo, until his death by suicide…
For the most part, the documentaries that have made Gianfranco Rosi’s reputation have a firm basis in geography. Sacro GRA (2013) explored life in Rome…
Only his second feature-length film after maɬni—towards the ocean, towards the shore (2021), Sky Hopinka’s Powwow People is the director’s least tangibly experimental project to…
Excepting the newly bicurious and the chronically polyamorous, most people will adore Erupcja for the wrong reasons. Pete Ohs’ sixth narrative feature has, on the…
In Kunsang Kyirong’s feature 100 Sunset, the camera roots itself deep within a tight-knit community of Tibetan immigrants in Toronto, the film taking place during…
Bouchra Bouchra, Orian Barki and Meriem Bennani’s unusual, surprising, and often moving debut feature, centers on the relationship between its eponymous character, a queer Moroccan…
Bouchra, Orian Barki and Meriem Bennani’s unusual, surprising, and often moving debut feature, centers on the relationship between its eponymous character, a queer Moroccan filmmaker…
Girl, the directorial debut of Taiwanese actress Shu Qi, is a beautiful film about a number of ugly subjects. In many respects, this is the…
In 2002, Hungarian director Pálfi György released his first film Hukkle to near-universal acclaim. The title, which is an onomatopoeia for the sound of a…
The pursuit of meaning in life is a negatory one. The more one seeks understanding, the more mystery one discovers. The more one learns to…
Jonatan Etzler’s Bad Apples takes place somewhere in the United Kingdom, most likely a studio somewhere near Bristol, though it may as well be mistaken…
The third and final Wavelengths group program, Slightest Pretense, is a decidedly mixed bag, although it does contain the two best films in the entire…
The Christophers Against the notion of cinematic auteurism, it has sometimes been thought enough to respond that, after all, cinema is a collaborative medium to…
Against the notion of cinematic auteurism, it has sometimes been thought enough to respond that, after all, cinema is a collaborative medium to which certain…