The opening shot ofTrương Minh Quý’s Việt and Nam depicts two men in enveloping darkness. One carries the other on his back as he…
We are asked: what of the implications of these encounters? What of the markings left by a history: markings that will elude the act…
Social Hygiene Retreating from the weight of actions into the weightlessness of words, Denis Côté’s latest finds a rambunctious solace in the oratorial. Serving…
Although it’s ostensibly science-fiction, The Tree House is a film grounded in the past, present and future — or perhaps it occupies the gaps…