Back Home Tsai Ming-liang ‘s latest sketchbook entry concerns his frequent star and collaborator Anong Houngheuangsy returning to his village in Laos, where he interacts…
Tsai Ming-liang ‘s latest sketchbook entry concerns his frequent star and collaborator Anong Houngheuangsy returning to his village in Laos, where he interacts with his…
Longtime Tsai fans might recall that he officially retired from making feature films back in 2013. He must’ve been in some kind of a mood,…
One of the more delightful, long-running series in contemporary cinema is Tsai Ming-liang’s Walker films, wherein actor Lee Kang-sheng — dressed in flowing red Buddhist…
Paris’ Centre Pompidou Museum has been commissioning short works from a veritable who’s who of international filmmakers since 2015. The curators present these artists with…
The Night is another minutiae-oriented short from Tsai, meaning found in the details of its mini symphony of Hong Kong. Following up, as it must,…
Calling Tsai Ming-liang’s body of work interconnected doesn’t begin to cover the throughlines that have developed over the span of more than three decades. One…
#5. Premiering in competition at 2020’s Berlinale and winner of its jury Teddy Award (for LGBT cinema), Tsai Ming-liang’s Days very much continues and deepens its…
And with that, our Top Films of 2021 coverage comes to a close, with our five favorites talked up below. All films, even if we…
Tsai’s latest, like the director’s best works, revels in the unexpected, sublime textures of daily routine and understated tenderness. Those familiar with Tawainese auteur Tsai Ming-liang will…
We at InRO aren’t immune for fall festival fatigue, and that means we too frequently pass over small festivals that deserve the attention. This year…
Another week, another festival. For this year’s BFI London Film Festival, it’s business as usual, which is to say the unusual business of 2020 film…
The fall festival season has looked far different this year, limited both in its ability to exhibit films and in the breadth of selection available.…
There’s a willful naivete many cinephiles employ when attempting to wax poetics about “the theater-going experience,” one that blatantly ignores sociopolitical and economic dimensions in…
It has become increasingly evident that 2009 was a major turning point in Tsai Ming-liang’s artistic development: Madame Butterfly marked his first, decisive shift to…
In considering the artistic decay posed within the persisting practice of archetypal expository documentary, Your Face represents a confrontation with history and convention, here mapped…
Tsai Ming-liang and Lee Kang-sheng have one of the strangest relationships in movies. For dedicated Tsai (and Lee) fans, that goes almost without saying. From…
The Journey to the West was perhaps the defining story of Chinese language film in the 2010s. Like stories of the Shaolin Temple or folk…
Were one to walk the streets of Taipei, ride its elevated MRT lines, and pass by the imposing structure of the Taipei 101 and the…
In 2013, around the time that Stray Dogs had its world premiere at the Venice Film Festival, Tsai Ming-liang announced his retirement from filmmaking. In…
It’s perhaps presumptuous, a little reductive even, to speak of an artist’s filmography as movements or periods, particularly when they are still making new, vital…