In this dispatch: Leviticus, Kika, Strange…
Why are filmmakers today so afraid of melodrama? Many’s a recent feature, from the acclaimed (Celine Song’s Past Lives) to the less so (Luca Guadagnino’s…
In this dispatch: Leviticus, Kika, Strange…
Why are filmmakers today so afraid of melodrama? Many’s a recent feature, from the acclaimed (Celine Song’s Past Lives) to the less so (Luca Guadagnino’s…