A Wounded Fawn is a delightfully weird and lo-fi work of playful horror. There’s not much left to do with serial killer narratives these days, but…
In his introduction to Olivier Assayas’ autobiographical essay/memoir A Post-May Adolescence: Letter to Alice Debord, Adrian Martin writes that “Assayas has always identified himself with…
Diana Bustamante’s Our Movie casts a peculiar spell; an essayistic documentary of sorts, it’s constructed entirely out of archival Columbian broadcast news footage from (roughly)…
Writer/director Wai Ka-fai is likely best known in the West for his collaborations with Johnnie To and their Milkyway Image production house (which the duo…
Lost Bullet 2 is hands down one of the best actioners of the year. With the avalanche of movies and television thrust upon increasingly weary viewers…
All Jacked Up and Full of Worms is a squeamy good time, as inspired by nonsense sketch comedy as it is Cronenbergian body horror. Whatever…
Over the course of its initial eight episodes, Guillermo del Toro’s The Cabinet of Curiosities has proven to be wildly eclectic in its subject matter…
Section 8 is a serviceable VOD actioner, but one devoid of anything to set it apart. We here at InRO consider ourselves fans, connoisseurs even, of…
Guillermo del Toro might be an Academy Award-winning filmmaker, but at heart he’s always been a fanboy. Part carnival barker, part collector, del Toro has…
V/H/S/99 is probably the biggest film in the series, mostly eschewing scares in favor of stylistic intensity. Almost a year to the day after 2021’s V/H/S/94,…
All That Breathes offers a cogent diagnosis of our climate change predicament, suggesting a tentative hope for the future while recognizing the untenability of the…
At this point, there have been so many movies about Covid, either directly or by inference, that it’s barely necessary to make a note of…
McKee’s latest might be enough for his diehard fans, but its stretched runtime makes any interesting happenings too little, too late. Lucky McKee’s best films…
Project Wolf Hunting is a symphony of wanton destruction, a splatter-heavy genre mash-up that’s so cartoonishly garish as to become absurdly funny. A symphony of wanton…
Piggy is a startlingly visceral and bloody affair happy to indict and wreak revenge upon a toxic modern society. The pros and cons of virtual festivals…
Masking Threshold is one of the best films ever conceived about what it means to be terminally online, though its final act turn toward more traditional…
Vesper is undeniably indebted to a long lineage of sci-fi antecedents, but its peculiar character and keen visual style keeps this a cut above your typical…
A jumbled mess of clichés and empty symbols in search of deeper meaning, Mona Lisa and the Blood Moon does little more than usher viewers down a…
Sissy wants to have its cake and eat it too, but all of its many ingredients don’t add up to anything new or satisfying. Viewers of…
Taming the Garden is a beautiful and brutal work, Jashi both in awe of the work her camera captures and aware of its destructive nature. Salomé…