For virtually his entire career, Abel Ferrara has seemed to occupy a liminal space in film criticism, not unlike the spaces his characters seem…
Since being plucked from relative obscurity by uber-producer Kevin Feige, the Russo brothers, Joe and Anthony, have become two of the most commercially successful…
My wife and two children have been at home since March 14th. I worked until the 17th, as my company waffled back and forth…
In their 2015 documentary, De Palma, Noah Baumbach and Jake Paltrow let iconoclastic writer/director Brian De Palma speak about each of his films, chronologically,…
Director Carlo Mirabella-Davis recalls such singular voices as Antonio Campos and Michael Haneke with the visually rich, metaphorical horror film Swallow. Like a lot…
No question, the ‘90s were a turbulent time for superhero movies: the Superman franchise had long been dormant, put in limbo thanks to producer…
Director Luca Ferri introduces us to Bianca Dolce Miele, the subject of his new film The House of Love, in conspicuous fashion. She’s seated,…
Winnipeg madman Guy Maddin is back with another kooky, kitschy post-modern melodrama, this one called Stump the Guesser. It’s a 20 minute short that…
Kent Jones once wrote that Luc and Jean-Pierre Dardenne’s 1999 film Rosetta had “a fearsome unity, an unshakable commitment to rendering the contours of…
Shot between August 2016 and January 2017 in the Dom Pedro Hotel in the slums of Sao Paulo, Brazilian filmmaker Maíra Bühler’s Let it Burn…
The Neighboring Sounds festival booklet describes Private Fiction as Argentinean filmmaker Andres Di Tella charting a turbulent 20th Century romance through archival photos and letters from his…
Miguel Hilari’s Compania is a small, modest gem of a film, a poetic evocation of mystical and religious ceremonies juxtaposed with the natural beauty of the…
Beanpole is a rending vision of aftermath, conjuring moments of real beauty from misery. War films have been with us as long as film has…
VHYes is a wannabe absurdist curiosity but is instead an interminable viewing experience. Jack Henry Robbins’ VHYes is the kitschy, post-ironic, pseudo-found footage 80’s pastiche the world…
…Casablanca is not just one film. It is many films, an anthology. Made haphazardly, it probably made itself, if not actually against the will of…
Peter Strickland is a stylistic maximalist, an homage specialist who makes Tarantino look like a film school pedant. Along with Helene Cattet & Bruno…
The films of Jessica Hausner can be maddeningly opaque, but obfuscation is a feature, not a bug. Her newest film, Little Joe, makes a fascinating double…
For some inexplicable reason, Netflix seems to have set its sights on reviving the early-to- mid 90’s boom of erotic thrillers, old-fashioned melodramas mixed…