For a particular contingent of American moviegoer — one born in the mid-to-late 1980s, say — Happy Gilmore is something of a sacred cow. Its…
Come a little closer and see — you need to inhale. No contemporary filmmaker understands California quite like Paul Thomas Anderson, who throughout his rightfully…
The popular conception of sexuality in America has doubtless expanded since the turn of the century, but its depiction on mainstream screens somehow has not.…
It’s worth beginning where a piece like this usually doesn’t, because Munich is the kind of movie Steven Spielberg usually doesn’t make: in a film…