Richard Tuohy and Dianna Barrie are very serious about film. Film itself, that is, and particularly the consumer-ready format of Super-8 that at one…
Why is it that in the nation of Spain, a nation whose siestas evince a clear cultural supremacy over their efficiency-imprisoned neighbors, regularly invites…
How do you conjure a spectacle as a mere man? Real spectacle, the kind that rivals the infinite colorful vistas of the Northern Lights…
Just as Megalopolis could be seen as a parable about Coppola’s own empire — Zoetrope, circa One from the Heart — Youth Without Youth…
If every Coppola movie is also a documentary of its making, Gardens of Stone is the most haunted. One year before its release, Francis’s…
One of the more amazing things about returning to Rosemary’s Baby after its release decades ago, or even watching it for the first time…
Just barely after the advent of photography, the concept of putting a camera in a balloon was born. Taken long before commercial air travel,…
Botox is everywhere, and Ozempic will follow. To voluntarily place a needle in one’s skin is no longer an image of deviancy, but one…
Those who have seen the Zürcher twins’ other works, The Strange Little Cat and The Girl and the Spider, may have felt a tension…
Medium-length features; a small but consistent troupe of actors in every picture; every scene just another conversation; little-to-no camera movement; and beguiling, inventive narrative…
Though comfortably placed in the more adventurous screening programs at film festivals, Eduardo Williams’ work has also managed to stand proudly independent of the…
Since 2011, animator and director Don Hertzfeldt has focused on one topic: memory. In the tripartite It’s Such a Beautiful Day, the loss of…
The title gives it away. Before one even begins watching Paul Schrader’s latest, the tone is effectively set by a little writerly in-joke of…
France had the Comte de Lautréamont, a young writer who embodied the Romantic spirit even more than the Romantics, and thrust an entire generation’s…
An easy bit of advice to give to any filmmaker who tries, whether with journalistic integrity or well-meaning folksy soapboxery, to make a film…
For most of Frederick Wiseman’s career, the master documentarian has focused on the lives and institutions of the United States. His films have painted…
Who owns America? The most cynical answer is likely the correct one: the highest bidders, the ones most willing to relinquish from themselves the…
James Benning, the legendary moving-picture artist known for his durational portraits of America, has made one of his most personal works yet. Shot not…