Browsing Tag

Terrence Malick

by InRO Staff Film Year in Review

Year in Review 2017 – Film

December 29, 2017
Film Feature

The finest films of 2017 simultaneously offered us a respite from, and a deeper reflection on, our fraught and fractured social and political realities. In sharp contrast to our unfortunate tendency to segregate ourselves with social media-fueled enclaves and ecosystems that do little more than reflect our own thoughts, opinions, and POVs back at us ad infinitum, these films cut through all that, artfully, and often provocatively, reminding us of the common humanity we share even with those who would seem to…

Continue Reading

by InRO Staff Film Year in Review

Top 10 Films of 2017 (So Far)

August 4, 2017
Logan

Deviating from protocol a bit with our timing (we swear we know when the halfway point of the year is), the following list is nonetheless our best approximation of a staff consensus for best films released from January to June of this year. Admittedly, the favorites skews toward auteurs, but few films bare much resemblance—a period biopic, a race-conscious horror film, a superhero deconstruction, and an intimate, maybe-ghost story (no, not that one) constitute a few of the movies we’ve championed.…

Continue Reading

by InRO Staff Festival Coverage Film

Toronto International Film Festival 2016 – Dispatch 2

September 26, 2016
nocturama-banner

The 41st Toronto International Film Festival recently wrapped, and our writers were on hand to soak up the cinema bounty. Our second and final dispatch (find our first here) features some heavy, (seemingly) politically-minded films, including Bertrand Bonello’s festival fire-bomb Nocturama, which was rejected by both the Cannes and Venice film festivals; Gianfranco Rosi’s Fire at Sea, a documentary about the European migrant crisis; and Oliver Stone’s latest biopic, Snowden.…

Continue Reading

#KickingtheCanon by Matthew Lucas Film

The Thin Red Line | Terrence Malick

February 9, 2015
91z6Ll5r9WL._SL1500_

Whenever anyone mentions the 1998 Oscars, the conversation inevitably turns to the great “injustice” of Shakespeare in Love beating Steven Spielberg’s Saving Private Ryan for Best Picture. But the real injustice of the 1998 Oscars wasn’t denying Ryan the top prize, it was in not rewarding Terrence Malick’s masterpiece, The Thin Red Line. After directing Days of Heaven in 1978, the notoriously reclusive director seemingly disappeared from filmmaking for two…

Continue Reading