In her overview of lesbian-feminist criticism, Bonnie Zimmerman urged lesbian critics to look into “what has been unspoken and barely imagined” in order to…
Holiday event filmmaking comes with a simple crutch — these stories nearly always end in a lesson. Art created for and surrounding children typically…
The first thing you notice about Sarah Polley’s Women Talking is the color palette. It’s desaturated in the extreme — isolated shots even look…
Of the so-called “three amigos” — comprising Alfonso Cuarón, Guillermo del Toro, and Alejandro González Iñárritu — whose films have in recent years penetrated…
Through four feature films and some assorted shorts, Indonesian madman Timo Tjahjanto has proven to be one of our foremost purveyors of cinematic gore.…
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If the arc of the moral universe indeed bends toward justice, then there just might have been a sliver of proof in the sold-out…
In a crowded field of sci-fi adaptations, the buzzy TV treatments of Octavia Butler’s Kindred and Emily St. John Mandel’s Station Eleven stand out.…
Properly encircling modern spheres of film analysis and critical study, documentary ethics are unfurling through heated dialectical discourses, which seek to question the materialist…
Step back while reading Annie Ernaux’s autobiographical opus The Years, and you will find yourself pausing a survey of a collection of photographs. These…
It takes a kind of charming naïveté these days to purport to represent the vagaries of sexuality onscreen without so much as a sideways…
Emancipation attempts, and mightily fails, to balance a film stodgy enough to play in a high school classroom with Hollywood’s typically rousing approach to historical…
Something from Tiffany’s isn’t much more substantive than your average holiday rom-com, but it’s leads are so likeable and its approach so breezy that…
Even by James Cameron standards, The Way of Water is an astonishing work of pure visual spectacle. Bow down before your Lord and Savior,…
Has there been a director so wildly prolific as Johnnie To in our modern era? Hong Sang-soo comes to mind, albeit occupying a radically…
It’s 2016 and Dana (Mallori Johnson), a 26-year-old woman who suddenly transplants from New York to Los Angeles with no job, no friends, and…
In 1968, Richard Fleischer democratized the participants of the crime procedural with The Boston Strangler, spearheading a new school of form as applied to…
And in the Darkness, Hearts Aglow is a more spiritual and communal record for Weyes Blood, speaking to both the personal and universal with…