Sophy Romvari has used cinema to mine the fractured, seemingly incomplete nature of her family history since her first short film, Nine Behind. In that…
“An ode to cinema” — an audacious claim with which to open one’s feature, but audacity courses through the work of Mosotho filmmaker Lemohang Jeremiah…
There’s a certain futility to any critical appraisal of a film like Jim Hosking’s third feature, Ebony & Ivory. That’s not to say there’s a…
By 1919, 24-year-old Richard Barthelmess was already a star. He’d just played the leading man, albeit in yellow-face, in D. W. Griffith’s Broken Blossoms opposite…
The House with Laughing Windows (1976) — Pupi Avati Giallo, the popular genre of Italian horror, can in truth be many things, though it tends…
When Robert Mitchum’s Jeff McCloud declared “Guys like me last forever” in Nicholas Ray’s Depression-haunted contemporary Western The Lusty Men (1952), it was hardly the…
In “The Evolution of the Language of Cinema,” André Bazin famously argued that depth-of-field marked a dialectical leap forward in the development of the artform.…
Those who have seen the Zürcher twins’ other works, The Strange Little Cat and The Girl and the Spider, may have felt a tension building…
The story of Souleymane (Abou Sangare), a Guinean immigrant fighting for the right to work legally in France, has lately been told millions of times,…
Greek filmmaker Athina Rachel Tsangari’s work has always defied easy classification. In Harvest, her fourth and most ambitious feature, villager accents and clothing, along with…
Athina Rachel Tsangari’s newest film, Harvest, begins on the precipice of change. Based on Jim Crace’s novel of the same name, Tsangari’s adaptation is set…
“Arkhitekton” in Greek — “master builder” in English. The world that we humans have created around us is a world of stone; cold, stoic, though…
Entering Berlin’s Gemäldegalerie, one is immediately faced with a decision. It’s a decision of considerable importance. Standing in the rotunda, one may either go forward,…
Flush Setting one’s low-budget genre film in a single setting is a time-honored tradition, a money-saving maneuver that makes for a simple calling-card exercise but…
The world has changed a lot since The Collingswood Story pioneered Screenlife storytelling in 2002. Nickelback had the top single that year, mid-budget films still…
Setting one’s low-budget genre film in a single setting is a time-honored tradition, a money-saving maneuver that makes for a simple calling-card exercise but which…
What proves fascinating about horror beyond its jumps and scares is a creeping sense of unknowability, a sense which violates our morals as much as…
Celebrated as the long-awaited and much-anticipated anime adaptation of Hiroshi Sakurazaka’s novel and the subsequent manga, Kenichiro Akimoto’s All You Need is Kill will nevertheless…
The most reliable formula in action cinema today is having Ma Dong-seok one-punch a bunch of anonymous stuntmen into a wall. After hitting it big…
Much like two recent films by major Japanese horror auteurs — Takashi Shimizu’s Sana (2023) and Kiyoshi Kurosawa’s Chime (2024) — South Korean filmmaker Kim…
Originally released in 1980, Night of the Juggler bears all the trappings of an exceptional cult thriller, though it’s one that has never been terribly…