With Fourteen, Dan Sallit continues to prove his skill as a masterfully rhythmic writer and purveyor of low-key humanism. Audiences aren’t exactly suffering from a dearth…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service or…
The Vast of Night opens with an assured and prefatory walk-and-talk, an extended tracking shot that first follows first Everett (Jake Horowitz), a local radio show…
With the 2020 Cannes Film Festival shuttered in the wake of the ongoing global COVID-19 pandemic, the spring festival’s storied history is once again on…
**What follows is the inaugural KtC entry for the recently added 1950s canon. Make sure to check out all of the 1950s inclusions (and the…
On September 27, 2014, the CW Network cut animation out of their Saturday morning bloc. They were the last network to do so. It was…
What’s the difference between music and noise? Besides general semantics, the two terms are perceived to create something of a dichotomy in relation to one…
Samurai Marathon, NYAFF’s opening night film, is a rather odd bird. It’s a Japanese jidaigeki period-piece from British director Bernard Rose (Candyman, Immortal Beloved) and…
For virtually his entire career, Abel Ferrara has seemed to occupy a liminal space in film criticism, not unlike the spaces his characters seem to…
Classifying Blue strictly as a piece of cinema seems like a rather odd distinction, considering Derek Jarman breaks the cardinal sin of the medium by…
Like numerous other films from Mainland China this year, Derek Tsang’s Better Days has traveled a troubled path from production to the screen: It was…
Since being plucked from relative obscurity by uber-producer Kevin Feige, the Russo brothers, Joe and Anthony, have become two of the most commercially successful directors…
Widely hailed as a major turn in Emmylou Harris’s already illustrious career, the 1995 album Wrecking Ball found the beloved country artist exploring new avenues…
My wife and two children have been at home since March 14th. I worked until the 17th, as my company waffled back and forth over…
Haunting, melancholy, and achingly cool, Louis Malle’s 1958 debut Elevator to the Gallows (Ascenseur pour L’échafaud) laid the cinematic foundations for motifs and aesthetics that…
Karim Moussaoui’s Until the Birds Return boasts a multi-narrative, ensemble structure, weaving between the lives of three modestly connected sets of characters. The film’s focus is on the subjects’…
Notionally, Blood Quantum works. Conceived in the same think tank as Inglorious Basterds, Jeff Barnaby’s latest fuses zombic epidemia with issues of indigeneity, using both…
A languid watercraft cruising the currents of the Hudson River. “Captain! Something off the port bow!” A rotten human arm floating in the distance. It…
Alain Resnais’s ingenuity as a filmmaker is on full display in his adaptation of one of the British theater’s most complex and rewarding works, Intimate…
It’s only appropriate that Dusty Springfield’s 1969 record — which found the singer’s vocal sensibilities shifting over to R&B, and to more deliberately paced arrangements…
The first feature-length work from avant-garde filmmaker/animator/composer Jodie Mack defies easy categorization. The Grand Bizarre is a sort of musical (like her Yard Work Is…