Not that every filmmaker is expected to prove their unique vision upon signing their directorial debut, but French-Greek actress and dancer Ariane Labed, unfortunately,…
Long heralded as the harbinger of snore-inducing boredom, slow cinema, in actuality, is a somewhat paradoxical replica of what film scholar Tom Gunning calls…
The fraternal duo of Arnaud and Jean-Marie Larrieu have been making films together for around 25 years. An early featurette of theirs, Roland’s Pass…
Once upon a time, there were frightened people. They were so frightened that their imagination escaped,” says a soothing, soft, and elderly feminine voice.…
It might be a little premature to have the “late style” conversation with regard to the highly prolific Kiyoshi Kurosawa, who turns 69 in…
Oh, Canada The title gives it away. Before one even begins watching Paul Schrader’s latest, the tone is effectively set by a little writerly…
Following the critical success of 2018’s The Wolf House, directoral duo Cristóbal León and Joaquín Cociña have returned with The Hyperboreans, a papier-mâché melange…
If dogs run free, then what must be Must be, and that is all True love can make a blade of grass Stand up…
In Retreat, the debut feature from Iranian-born Ladhaki director Maisam Ali, is the sort of film one hates to be negative about. It’s made…
The Cannes Film Festival has a reputation (not entirely undeserved) for skewing its selections toward the more abstruse, audience-unfriendly end of the international cinema…
Writing on Jean-Christophe Meurisse’s Bloody Oranges back in 2022, InRO’s Matt Lynch described it as a “glib little attempt at satirizing The Way We…
In Western countries, the dailiness in those “lesser developed” ones has long been abstracted by a dearth of artistic and cultural diffusion from one…
For better or for worse, everybody desires for a second go at their greatest failures. Life is cruel and fleeting, and there is perhaps…
George Miller’s 2015 return to the Mad Max series he created all the way back in 1979, Fury Road, came a whopping 30 years…
Jean-Claude Van Damme, it’s been a minute, buddy. Van Damme’s last starring vehicle, the not-particularly-exciting but still charming The Last Mercenary, mostly survived on…
The latest movie star to fight the machines is Jennifer Lopez, the title character in the extremely generic Atlas. It’s the future, of course,…
On the introductory page of Israeli weapons manufacturer Elbit Systems’ UAS (Unmanned Aircraft System) page, it states: “The design of our UAS is based…
Many critics’ wrap-ups from the 2023 edition of Cannes included dismissive language directed at Ken Loach’s new film competition film, The Old Oak. As…