Jean-Claude Rousseau may be one of the best-kept secrets in world cinema. But fortunately, in recent years, the word seems to be getting out. Although…
Luke Fowler’s latest feature film reflects a slight shift in his creative project, something that might not be immediately apparent even to longtime admirers of…
At times, Laberint Sequences, the new short film by Blake Williams, feels a bit like an experimental feature, despite being only 20 minutes long. That’s…
There have been a number of meta-cinematic works over the years that detail the plans for a film that a maker had in mind, but…
The latest film from French actor-director Valeria Bruni-Tedeschi is difficult to evaluate. One could argue that, for what it is, it is fairly accomplished. A…
Since moving from 16mm to digital nearly fifteen years ago, James Benning’s films have become more and more stringent, foregoing surface incident in favor of…
Expanding on the layered, accelerated style first developed in her shorter films, Fox Maxy arrives at Sundance firing on all cylinders. Gush marks a clear…
Lebanese filmmaker Ali Cherri has been a bit of a fixture on the festival circuit with his wry, melancholy short works addressing the state of the Arab world.…
Timing is everything, and because of that, Stéphane Lafleur’s latest film Viking will likely draw comparisons with The Rehearsal, Nathan Fielder’s HBO show about simulation…
Iranian cinema, as presented to the larger world over the past four decades, has mostly been based on a Bazinian commitment to observable reality. In…
One of the most enjoyable films presented in this year’s Crossroads Festival is also one of the shortest. In Object Permanence, Alix Blevins offers the…
Since the advent of an autonomous African cinema in the 1960s, Western audiences have grown accustomed to a realist, declarative style that served to describe…
The latest film from veteran Malaysian director Woo Ming Jin (Monday Morning Glory, The Tiger Factory) is an interesting cinematic specimen. A filmmaker with sensibilities…
[NOTE: This review contains spoilers.] After having made three no-budget features with co-director Rodrigo Ojeda-Beck, Robert Machoian broke through in 2020 with The Killing of…
Harkis is pretty much the sort of foursquare historical drama one would typically associate with Rachid Bouchareb (who was back in Cannes in 2022 with…
Users of the Letterboxd movie review site may be familiar with a guy named Neil Breen. He’s a fellow with a vague background; some believe…
In recent years, Damien Manivel seems to have become a latter-day example of the French auteur hiding in plain sight. Like such figures as Paul…
Lois Patiño is one of the most experimental figures among the burgeoning Catalan scene. His concerns tend to be painterly, usually affording pride of place…
From its title alone, Gastón Solnicki’s latest film suggests that it avoids grand statements, instead choosing to offer an assemblage of conceptual lagniappes, ideational odds…