Dashing Through the Snow It seems wholly appropriate that Disney’s new holiday comedy Dashing Through the Snow bypassed theaters completely and premiered on the studio’s…
A gangster movie, a story of post-colonial alienation, a broad satire of academia, and a romantic comedy, Mexican director Fernando Frías’ latest film, I Don’t…
In 1993, when the third edition of Japan’s biannually held Yamagata International Documentary Film Festival took place, no one could have foreseen the seismic impact…
Before the colonization of New England by the forebears of the American empire, what would come to be known as Rhode Island today was principally…
In Sean Price Williams’ directorial debut The Sweet East, Lillian (Talia Ryder) snaps to Ian (Jacob Elordi), “I believe that you’re more enamored in basking…
Film adaptations of Stephen King’s work often suffer from genre misidentification. This isn’t to say that filmmakers mistakenly read King’s work as horror fiction —…
When critic Darren Hughes and filmmaker Paul Harrill founded The Public Cinema in 2015, their goal was to bring important works of world cinema and…
In This Issue: FEATURES: STITCHING REALITIES: An Interview With Eduardo Williams by Jesse Catherine Webber A CONTRACT WITH THE AUDIENCE: An Interview With James Benning by Zach Lewis…
Argentinian filmmaker Eduardo Williams’ new film The Human Surge 3, which premiered this summer in competition at the Locarno Film Festival, is his first feature…
James Benning, the legendary moving-picture artist known for his durational portraits of America, has made one of his most personal works yet. Shot not too…
“If they echo our sense that our bodies are liable to become dead, intractable objects, […] puppets also play out a fantasy of surviving so…
Tracing a labyrinth of half-recalled memories, Revoir Paris, the fourth feature film from director Alice Winocour, explores violence while also turning its head from it.…
Since 1969, the French Directors’ Guild (SRF) has held the Directors’ Fortnight in parallel to the Cannes Film Festival. Often more adventurous than the official…
Ever since he moved to Rome, Abel Ferrara has focused much of his directorial output on the land of his family: Pasolini, Piazza Vittorio, Tommaso,…
One of the highlights of the 2022 Berlinale’s Encounters sidebar was Ashley McKenzie’s Queens of the Qing Dynasty. Following the Canadian filmmaker’s first feature, Werewolf,…
Adirley Queirós and Joana Pimenta come from very different artistic backgrounds, but that fact wouldn’t be obvious based on their two collaborations to date, Once…
In 2002, Laura Citarella co-founded El Pampero Cine with Mariano Llinás, Agustín Mendaliharzu, and Alejo Moguillansky. In 2011, they released Citarella’s first feature, Ostende, starring…
Anthropologist-filmmakers Lucien Castaing-Taylor and Véréna Paravel’s work dissolves the space between their camera and their subject. Previous films Leviathan and Caniba both treat their respective…
Now on her fifth feature, Rebecca Zlotowski’s films are populated with complicated women. The director has a knack for capturing doubts and quietly subverting the…
Eras in music are often as much defined by the music itself as by the dominant methods of discovery of the day. Every generation has…