Inbetween Girl manages to avoid the tepid dramatics of so many teen-screen films, but too often succumbs to bouts of preciousness and self-conscious affectation. The…
Machine Gun Kelly Remember all those distinguished titles (see also) bestowed upon Machine Gun Kelly the last time he went pop-punk? Welp, it seems…
The Innocents When the director of an arthouse horror film about supernatural children readily admits he was inspired by his own experiences of first-time…
RRR once again proves that Rajamouli and co. are virtually unmatched in viscerality and clarity of visionary spectacle. S.S. Rajamouli’s latest epic RRR begins with…
Fiddler’s Journey isn’t much more substantive than your average love letter doc, and suffers from an ill-conceived late-film detour. Daniel Raim’s chronicling of the pre-production…
Bubble is an altogether gentler anime product for Araki, aiming for the emotional stakes of films like Your Name, but is slight to the point…
Los conductos is a disarmingly personal film that is also masterful in its understanding of the way artifice interacts with realism. Camilo Restrepo has made…
The Earth is Blue As an Orange relies on an immediacy that only somewhat masks its flippant, fleeting nature. It’s difficult to approach a work…
Saturday Fiction is a formally enterprising and experimental work that delivers as an exercise in digital esotericism. Set amidst the spy games of Allied…
Memory is a pleasantly riveting watch even as it remains a one-trick pony that’s too reliant on shallow deep state caricature. “If I’m here,…
Hatching is an intelligent, visceral film that avoids metaphor-heavy horror pitfalls and delivers an impressive creature feature. The coming-of-age horror film is a staple with…
OK, so things don’t really vanish anymore: even the most limited film release will (most likely, eventually) find its way onto some streaming service…
Robe of Gems Already an acclaimed editor on films such as Carlos Reygadas’ Silent Light & Post Tenebras Lux and Lisandro Alonso’s Jauja, as…
Vortex is as viscerally bracing as Noe’s previous efforts, but here also cut through with a new, impressive level of restraint. It’s become somewhat…
It’s 1995, halfway through the decade and two years into the centrist liberal Elysian era of pre-blow-job Bill Clinton, a year in which Forrest…
Pompo: the Cinéphile could do with being a bit thornier, but it’s nonetheless a film that understand the power of movies in a unique, appealing…
There’s nothing much profound going on in Anaïs in Love, but its languorous, late-summer tenor makes for a lightly pleasant watch. A warm, sandy…
Lil Durk To say that Lil Durk had a big 2021 would be something of an understatement. In actuality, the year was a pretty…