Of the many ontological experiments Ken Jacobs has crafted over the last half-century — which have varied between different artistic mediums, lengths, modes, and, especially…
All Hands on Deck dabble in tropes and archetypes, but still manages a vibrancy that keeps the film afloat. One of a number of Rohmer riffs…
In recalibrating its source material, The Green Knight often proves compelling, but it doesn’t always convince as a fully liberated work. “I see legends,” Gawain (Dev…
The Last Mercenary isn’t much as a JCVD actioner, but it’s modestly held together by the aging star’s pronounced comedic chops. Legendary action figure Jean-Claude Van…
Tailgate is a thriller in name only, mostly devoid of tension and entirely schematic. One wonders what exactly the point is of such a thoroughly incurious…
Prince’s body of work is, of course, one of the broadest and slipperiest in the Western pop canon. Swaths of his career still remain without…
Jungle Cruise’s attempts at throwback family adventuring are lost to a miasma of awful VFX and greenscreen compositing. For some reason, Disney’s Jungle Cruise, a…
Outdated from its conception and only increasing its failures with each passing minute, Twist does Dickens seriously dirty. Twist, the latest adaptation of the Charles…
Fullt Realized Humans is a half-realized film, awkwardly sliding between authenticity and sitcom superficiality. Bland but inoffensive, Joshua Leonard’s post-mumblecore rom-com Fully Realized Humans resembles nothing…
Masquerade fails to clear even the lowest bar of a home invasion flick, delivering a late-film jolt that is far too little, too late. Like many…
The Boy Behind the Door doesn’t do much that hasn’t been seen before, but mostly works on the strength of its careful, expert craft. A tough,…
If Krabi 2562 fails to convince by its end, its argument is at least worth engaging with. Following a short film collaboration for the 2018 Thai…
Delmer Daves has his deserved champions, but even so, he’s an interesting sell; not a hard one, per se, but one that’s mildly inundated with…
Stillwater tiptoes around complex, potentially rich discourse without ever committing to any real ideological principle. Who is Tom McCarthy, really? Once a semi-successful TV actor, he’s…
Ride the Eagle is a slight, breezy affair that succeeds on the strength of its comedic charm and slick pacing. If you had another chance with…
Enemies of the State fails to probe deeply, content with its story’s sensational surface at the expense of more meaningful study. Produced by genius documentarian and…
Haruhara San’s Recorder The winner of FIDMarseille International Competition, as well as the recipient of its Best Actress award in that category, Haruhara San’s Recorder…
Outside Noise Ted Fendt’s body of work is at least in part characterized by its very purposeful progression. His films are all dryly comedic character…
Hal Hartley occupies a curious position in the American film scene. While he might reasonably be called an icon of the independent film scene and…
Nine Days angles toward profundity, but is a largely maudlin, intellectually bankrupt genre-exercise of self-congratulation. In Plato’s Allegory of the Cave, prisoners sit facing a wall…