For our final dispatch from the 2018 New York Film Festival, we take a look at each of the features from the fest’s avant garde-themed Projections…
When Hong Sang-soo made his debut feature, 1996’s The Day a Pig Fell Into the Well, the South Korean cinema had not yet developed into…
You’d be forgiven if you didn’t know that the recent Maggie Gyllenhaal vehicle The Kindergarten Teacher was a remake of a 2015 Israeli movie. Although…
The 2018 New York Film Festival just wrapped over the weekend — which means it’s curtains for 2018’s fall festival season (I’m so sorry). Our first…
Set amidst a deeply bourgeois milieu where children tend to be treated more like expensive fashion accessories than actual human beings, Tamara Jenkins’s wise, warm, and altogether…
In the world of Shonen Jump (a Japanese comics anthology series aimed at teenage boys), Tite Kubo’s now-defunct manga Bleach once ranked near the top…
In an effort to reboot our music coverage, In Review Online is launching monthly features devoted to reviewing new album releases. Last month, we launced εὐδαιμονία (or, Eudaimonia),…
Our fifth and final dispatch from the 2018 Toronto International Film Festival (here’s the first, the second, the third, and the fourth) represents perhaps our most eclectic group of…
Our fourth dispatch from the 2018 Toronto International Film Festival (here’s the first, the second, and the third) continues sifting through the various cinematic voices, styles, and pedigrees that make-up this…
In an effort to reboot our music coverage, In Review Online has launched monthly features devoted to reviewing new album releases. One such feature is What Would Meek…
The stripped-down premise and formal exactitude of John McTiernan’s 1987 Predator are precisely not present in Shane Black’s The Predator, the latest attempt to drag-out and elaborate on a…
Our third dispatch from the Toronto International Film Festival (here’s the first and here’s the second) includes our takes on a few hold-overs from this year’s Cannes slate…
Our second dispatch from the Toronto International Film Festival (here’s the first) acts as a nice microcosm of the fest as a whole, and of…
This year’s Toronto International Film Festival, it has to be said, looks as if it may be one of the strongest slates since our site first…
From a distance, Kin looked like a pretty promising mid-budget sci-fi. But if you can’t engage in Marvel-style big budget spectacle, you better have some…
Riley North’s (Jennifer Garner) retribution in Peppermint doesn’t begin with her husband and daughter being murdered by drug dealers. It begins with some other, more wealthy…
Spike Lee’s BlacKkKlansman tells the story of a black police officer in 1970s Colorado who infiltrated the Ku Klux Klan. But Lee is also telling…
In an effort to reboot our music coverage, In Review Online is launching monthly features devoted to reviewing new album releases. The first of these features debuted…
Releasing a steady stream of vaguely jingoistic docudramas all starring Mark Wahlberg as a hero/patriot, Peter Berg has become a bit of a joke as…