Diego Maradona, Asif Kapadia’s latest film, is entirely comprised of archival footage, most of which comes from Italian news sources that preyed upon the famed…
Precise figures will vary, but the fact remains that our world is in the midst of the largest refugee crisis since WWII. The convergence of…
For those who haven’t yet written off James Franco’s entire career, there’s some cause for optimism in the first act of Zeroville, his much delayed…
Chained for Life opens with a quote from Pauline Kael: “Actors and actresses are usually more beautiful than ordinary people. And why not?” Director Aaron Schimberg’s invocation…
The Day Shall Come, Christopher Morris’s follow up to his debut (and sleeper hit) Four Lions, treads similar ground as its predecessor — though it…
If José Luis Guerín’s In the City of Sylvia (2007) were reconceived as a contemporary gay drama, its opening might look something like the first…
What You Gonna Do When the World’s on Fire? is a documentary with an almost confounding resolve to simply document. Given the subject matter —…
There’s been an interesting spate of feminist, or at least female-led, westerns recently; there’s Tommy Lee Jones’s The Homesman, a dark film that suggests the only…
It shouldn’t surprise that a documentary tackling China’s population-curbing one-child policy, effectuated in the late 1970s and lasting until 2015, provides innately dramatic material, but…
A religious drama set among the Pentecostal snake handlers of Appalachia, there are any number of paths that Them That Follow could have taken to…
Serbian director Ognjen Glavonic’s The Load is so minimal and austere that its title – nominally referring to the cargo carried in the truck driven…
So what exactly ‘begins’ in Philippe Lesage’s Genesis? That’s a question that’s almost too deceptively simple to answer: love, of course (the film’s poster even…
Nobody knows bland, affluent white people quite like writer-director Bart Freundlich, a filmmaker who has made a career out of chronicling the interior struggles of…
After his eccentric, taskmaster father (Udo Kier) dies, Andy (Tye Sheridan) — a burly, brooding mass of tortured American masculinity — joins a renowned physician,…
James Longley’s Angels Are Made of Light is an essential document, chronicling several seasons at the Daqiqi Balkhi School in Kabul, Afghanistan. The remnants of conflict are…
Abel (Louis Garrel) has a dilemma, one that makes-up the entire emotional framework of A Faithful Man. Abel lusts after two equally beautiful (and deviously…
It can be difficult to wrap ones head around what ‘Mumblecore’ is today: a genuine movement ten-plus years ago, and one that once had so…
Writer-director Guy Nattiv’s Skin isn’t just a feature-length extension of Nattiv’s Oscar-winning short film, also called Skin; the 2018 short played out like the most…
In its attempts to chart the decaying values of a country in the midst of political turmoil, Benjamín Naishtat’s Rojo is disruptive from the very…
An arch and wickedly funny portrait of American male masculinity in the 21st century, one could argue that writer-director Riley Stearns’s The Art of Self-Defense is…