Give Nacho Vigalondo’s latest points for being consistently unpredictable: it’s a monster movie, in a sense, but the monsters turn out to be analogous for…
“Everything disgusts me,” exclaims dying King Louis XIV (Jean-Pierre Léaud). The most disgusting thing present? The repulsive nature of aristocracy, laid out in full…
That advice may well be applied to Olivier Assayas’s slippery, sensual Personal Shopper, which does for horror what Irma Vep (still the high watermark…
In the case of Alain Guiraudie’s relentlessly weird Staying Vertical, there may not be anything to do except surrender to the strangeness. The story…
What Kenneth Lonergan understands, probably better than any other writer-director working today, is how difficult it is to communicate grief in a convincing way…
Park Chan-wook’s career has largely been steeped in a particular fusion of twisty revenge narratives padded with philosophical implications. His latest, The Handmaiden, feels…
Jim Jarmusch’s career trajectory has afforded distinct perspectives on his work, especially as that relates to the idea of a monotonous kind of living.…
On paper, the premise of Maren Ade’s Toni Erdmann — a prankster father, Winfried (Peter Simonischek), drops in unannounced on his daughter Ines (Sandra Hüller),…
Relationships fray without stated explanations in Pedro Almodóvar’s Julieta—but the settings reveal what information characters don’t. Julieta (Emma Suarez) receives startling news from a friend…
Mia Hansen-Løve’s Things to Come—that other film at TIFF ’16 in which Isabelle Huppert acts alongside a cat—tracks several years in the life of philosophy teacher…
Focusing on a period that begins in 1948, during which Chilean poet and Nobel laureate Pablo Neruda was declared an enemy of the state…
Delivering as both a remarkable exercise in sensuousness and a wholly affecting look at suffocated identity, Barry Jenkins’s second film is one of remarkable…
Tom Ford may have overburdened his first film, the Christopher Isherwood adaptation A Single Man, with quick-cut impressionistic montages and an overly polished look,…
Cinema’s nominal purveyor of ruralism, most successfully of the Southern sort, Jeff Nichols is the de facto director to handle a story such as the…
Werner Herzog’s latest has self-referential origins: He met his “co-director,” volcanologist Clive Oppenheimer, while making Encounters at the End of the World, and included…
An angry juxtaposition structures Gianfranco Rosi’s migrant crisis documentary Fire at Sea. Rather than focus solely on the struggles of refugees as they cross…
Brazilian director Kleber Mendonça Filho has narrowed his scope with Aquarius, after the hustle and bustle of his last feature, Neighboring Sounds. Filho gives his latest…
From the opening credits, something seems off about Under the Sun, and the “truth” it projects. “My father says that Korea is the most beautiful country…