Beast is a sturdy, no-frills thriller that understands how to shred nerves and deliver gnarly creature-feature action. The B-movie creature feature comes roaring back with…
The titles of Mikio Naruse’s films were once baroque mouthfuls (Three Sisters With Maiden Hearts, Wife Be Like a Rose!), but as his own filmmaking…
The morning after Hurricane Katrina made landfall in New Orleans, folks at Memorial Medical Center rejoiced. The sun was shining. The facility still had power…
When I Consume You starts strong and boasts a strong visual character, but it frustratingly trades too heavily in tired horror tropes to land with much…
The Legend of Molly Johnson can skew a bit too on-the-nose at times, but it remains a bold, uncompromising work and the best kind of revisionist…
At its core, the intellectual thesis of Julia Murat’s intelligent if inconclusive film belies a more emotional investment. As its title might imply, Rule 34…
Ana Vaz’s meditative documentary on the conundrum of wildlife habitation, as considered through the intensified processes of urbanization, is a more frustrating exercise in atmosphere…
Rule 34 At its core, the intellectual thesis of Julia Murat’s intelligent if inconclusive film belies a more emotional investment. As its title might imply,…
Slow cinema miserabilism — right up there with elevated horror and anything written by Steven Knight (Serenity gloriously excepted) — is among the most irksome…
Early on in Nikolaus Geyrhalter’s new film Matter Out of Place, a man investigating an unearthed landfill site utters the phrase “out of sight, out…
There’s a relaxed tone to Alessandro Comodin’s The Adventures of Gigi the Law — one that’s so lackadaisical the film often threatens to stall whenever…
The needle-eye gateway of the coming-of-age film is a near-obligatory rite of passage for the “emerging” Canadian director. Accordingly, Trevor Anderson sets his debut feature,…
Super Hero is an impressive step forward in animation for the franchise, even as its constant winking can sometimes come off as an insecure plea for…
Three Minutes can veer off course when it attempts to wax poetic or philosophical, but on the strength of its source material, ultimately proves an adept…
Orphan: First Kill lacks the pulpy playfulness and satirical intent of the original, entirely misunderstanding its appeal and rendering this sequel an underwhelming curiosity at best.…
Spin Me Round, which bafflingly sidelines its most intriguing performer halfway through, ultimately offers little more than a light subversion of European vacay romcoms. Jeff…
Girl Picture is a pop-oriented confection of little substance, vapid writing, and seeming contempt for its characters. Alli Haapasalo’s Girl Picture is a confounding frustration. Set…
“The mise-en-scène flexes emotion like you flex your muscles.” So said Bertrand Tavernier of Jacques Becker’s Casque d’or, an observation applicable to the latter’s all…
Lisbon plays itself in Where Is This Street? or With No Before or After, the first collaboratively directed film from partners João Pedro Rodrigues and…
Human Flowers of Flesh Bouncing back from two years worth of Covid-related disruption while still riding out some major switch-ups and art direction, the Locarno…