My Policeman is a beige, two-hour yawn that fails to live up to superior works occupying the same thematic space. Harry Styles kept finding himself in…
The Metamorphosis of Birds is a sensual and lyrical work that recalls the old masters even as it carves out its own distinct and pleasurable path. …
Weird is a lovably cartoonish take on the musical biopic, but there’s simply too much dead air between its gags to keep things as funny…
This latest adaptation of All Quiet On the Western Front is a slick affair that trades in shallow aesthetics at the expense of any real substance. “This…
Over the course of its initial eight episodes, Guillermo del Toro’s The Cabinet of Curiosities has proven to be wildly eclectic in its subject matter…
Spelled out in a brusque, harried introduction by Cabinet of Curiosities orchestrator Guillermo Del Toro (maybe 10% invested in his Hitchcockian hosting duties), Panos Cosmatos’…
Of the eight directors drafted to the roster of Guillermo del Toro’s Cabinet of Curiosities, Catherine Hardwick may be the oddest choice. Technically, she does…
The fifth installment in Guillermo del Toro’s Cabinet of Curiosities is “Pickman’s Model,” inspired by the H.P. Lovecraft story of the same name and directed…
Descendant is a piercing work of ethnography that takes on America’s original sin with intelligence and nuance. Reclaiming history has, historically, been an arduous process, and…
Ana Lily Amirpour’s foray into prestige television isn’t entirely unexpected, given both her affinity with idiosyncratic, highly stylized horror cinema and a cultural demand for…
Of all the directors chosen for Guillermo Del Toro’s Cabinet of Curiosities, David Prior might just be the hippest choice. Prior, formerly known only for…
In “Graveyard Rats,” the second installment of Guillermo del Toro’s Cabinet of Curiosities, Masson (David Hewlett), a professional grave robber, makes a last-ditch attempt to…
Guillermo del Toro might be an Academy Award-winning filmmaker, but at heart he’s always been a fanboy. Part carnival barker, part collector, del Toro has…
Run Sweetheart Run is as inconsistent, condescending, and unsubtle as films come. Audiences should run far away indeed. There are no shortage of think pieces out…
Raymond and Ray, while patiently contemplative, plays it too safe as a dramedy of life’s joys and sorrows. The story of estranged siblings in search…
Superficial and hopelessly outdated, The School for Good and Evil will leave fantasy fans better off clinging to Harry Potter reruns. For the legions of Harry Potter fans…
V/H/S/99 is probably the biggest film in the series, mostly eschewing scares in favor of stylistic intensity. Almost a year to the day after 2021’s V/H/S/94,…
The Stranger’s palpable atmosphere can prove meandering, even if it crafts fascinating and nuanced characters out of its leads’ performances. Set in the bleak Australian outskirts,…
Dark Glasses ends Argento’s decade-long hiatus and even longer stretch of mediocre works with a return to form for the Italian master. It’s been a…
Werewolf by Night is among the less irksome MCU products of late, but it’s still not more than a minor goof of little consequence to anyone…