Taken in its context as the opener and lead single of Everything But the Girl’s 11th studio album, Fuse, “Nothing Left to Lose” almost…
Nearly half a decade removed from a breakout, self-titled EP, boygenius returns with the record, the indie sad girl supergroup’s first full length. While…
Karin Dreijer returns with Radical Romantics, their highly collaborative third album under the solo moniker Fever Ray — with production from heavy hitters like…
Just as rock music has fallen out of fashion, Yves Tumor has become increasingly insistent on performing it. What does it mean to become…
Meghan Remy, mastermind behind the experimental pop project U.S. Girls, has been on a trajectory of constant evolution since she began releasing music under…
A pop star has to store a number of secret weapons in her utility belt. Lots of people can sing and dance, but what…
It’s been ten years since Kelela’s debut mixtape, Cut 4 Me, earned rave reviews She’s since produced a semi-regular output, with her first proper…
In nearly four decades, New Jersey’s Yo La Tengo have never taken a real break, with the smallest gap between records being a measly…
Hot off the heels of last year’s exceptional Living Torch, Kali Malone has delivered an album version of the previous live exclusive Does Spring…
With a history of quick turnaround releases, Belle and Sebastian stays true to form and follows up last year’s A Bit of Previous with…
And in the Darkness, Hearts Aglow is a more spiritual and communal record for Weyes Blood, speaking to both the personal and universal with…
Blue Rev might end up as 2022’s best indie pop release, as well as Alvvays’ best record to date. It took Alvvays, Canada’s most…
Surrender is a sophomore success that finds Rogers settling into herself as a person and as an artist. Maggie Rogers, fresh off a new master’s…
With Emotional Creature, Beach Bunny bucks the trend of TikTok music vapidity and delivers an impressive, sincere indie rock record. With Emotional Creature, Beach Bunny’s…
MUNA’s self-titled latest is a clunky, uneven affair plagued by wild vacillations of quality and thoughtless lyricism. Synthpop has seen a huge revival in…
Big Time feels like a the start of a new era for Angel Olsen, an reinvention record that realizes the sound it seems she…
Clocking in a bit overlong and failing to reach Flume’s previous artistic peak, Palaces is nonetheless a breezy, catchy listening experience. The latest artist…
A Bit of Previous executes a fine balance of evolution and reminiscence, revisiting the sounds of their early career from an appealingly more aged perspective.…