Ricky Gervais has ample amount of personality and charm. He made the British version of The Office into the cult hit it has become, and…
Antichrist is an exorcism of the foulness and unmitigated hatred stewing inside notorious provocateur Lars von Trier. Its production follows a crippling depression which stifled…
Steven Soderbergh made an interesting choice in telling the story of Mark Whitacre, the agri-food exec who turned informant and paid a price. Part fraud,…
The single worst thing that ever happened to Michael Moore — as artist, as thinker, as gleefully sardonic agitator — was becoming incredibly rich and…
All tearjerkers are not created equal. This is a point too rarely acknowledged. When it comes to pocket-sized tragedies, those tidy doses of Hollywood-friendly catharsis,…
Based on the writings of the late David Foster Wallace, Brief Interviews with Hideous Men is a movie for people who like to listen to books…
Scary notion: what if YouTube, with its streaming transmissions of home-movie inanity and fleeting flashes of sign o’ the times import, was our first and…
The work of Parisian auteur Claire Denis has been cause célébre for many film critics over the last two decades. Her adoring supporters do backflips…
Japanese masters Yasujiro Ozu and Mikio Naruse (among others) tapped into a cathartic cinema that favors real-time pacing and treats sequences of a tree quivering…
Where do women fit in horror films? In a world dominated by Michael Myers, Leatherface, and Jigsaw, how can women identify with the onscreen action…
A VH1 programmer’s (wet) dream come true, It Might Get Loud assembles three generations of guitar gods under one roof, where they’ll talk shop, swap…
Adaptation is the medium of our time. For better or worse, appropriation has devolved from oxymoronic theories of postmodernism into a more practical mode of…