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After a rich and varied March release landscape, April came back down to Earth a bit. There were still exciting, under-the-radar releases (Gazer, Henry Fonda for President, The Code, Invention)and a few high-profile studio flicks that actually delivered the good (Sinners, Warfare), but the month was also bursting…

A cascading slant of coastal daylight betrays the futile dangers of vacation time in Durga Chew-Bose’s sensual, stilling, and elegiac rendition of Françoise Sagan’s 1954 novel of the same name. In this sun-soaked yet moodily cavernous adaptation, summertime sadness is a formative, virginal strain of sorrow, “a strange…

There are few genuinely pleasurable elements in Daniel Minahan’s On Swift Horses. Adapted by Bryce Kass from Shannon Pufahl’s novel of the same name, the film’s story of mid-century queer life is a crushingly timid homage to the sweeping Hollywood melodramas of the 1950s: thematically didactic, straight-faced, and…

About halfway into Courtney Stephens’ new film Invention, a lawyer (filmmaker James Kienitz Wilkins) tells our protagonist, Carrie(Callie Hernandez, co-screenwriter with Stephens), that ideas are as powerful as the products we can turn them into. It’s a cynical line, perhaps, or maybe just realistic. But it’s also an…

With his latest feature, director Robert Schwentke has moved away from his Time Traveler’s Wife, Divergent, Snake Eyes-days of bad blockbuster filmmaking. Seneca — On the Creation of Earthquakes is roughly as audience-unfriendly as films come, sometimes to its benefit, but mostly otherwise. For proof, simply start with…

In a landscape crowded with thrillers about obsession and celebrity, Jimmy Warden’s Borderline tries to carve out its own space, mixing ‘90s nostalgia, dark humor, and psychological tension into a chaotic night of pop-infused terror. At the center is Sofia (Samara Weaving), a music idol whose fame catches…