Silence — like its two unassuming allies, stillness and slowness — is often positioned as a response to mainstream cinema’s reckless noisiness. But contemporary indie Indian cinema that has most recently garnered international acclaim — like, Shaunak Sen’s All That Breathes (2022) and, to a lesser extent, Neeraj…
Follies If the sex comedy has become a rare breed in the two decades since its American Pie-to-Apatow heyday in the aughts, the marriage comedy, a staple of the classical Hollywood screwball comedy with origins in Shakespearean romance, has been largely dead as the dodo since the 1940s. Perhaps…
“Life is cheesy sometimes,” says Liz (Valerie Pachner) in voiceover, moments before turning around at the airport and running back to embrace her lover, Ahmed (Amir El-Masry). Life might be cheesy, but it’s never that ironic and self-conscious. Great emotions don’t come to us in quotation marks. The…
If the sex comedy has become a rare breed in the two decades since its American Pie-to-Apatow heyday in the aughts, the marriage comedy, a staple of the classical Hollywood screwball comedy with origins in Shakespearean romance, has been largely dead as the dodo since the 1940s. Perhaps…
It’s quite obvious at this point that Netflix has firmed up their annual Christmas lineup formula by tugging at millennials’ soft spots via a mix of throwback nostalgia, cozy seasonal sentiment, and the casting of cherished teen icons of yesteryear. Over the past few holidays, we’ve seen Lindsay…
Sylvia Chang has been one of the more under-appreciated forces in international film for almost 50 years now. Beginning her career as an actress in the mid-70s in films by King Hu and Li Han-hsiang, she moved into producing in her native Taiwan, where she was instrumental in…
The cabin in the woods: as reliable a setup as there is in all of horror. The isolation of new lovers leaving the world and a sense of security behind to focus exclusively on one another only to find themselves overcome by evil external forces (or one another);…
“What’s a pretty girl like you,” asks Don King, the all-time boxing promoter played by Chad L. Coleman, “doing getting punched in the face?” Christy isn’t just a star vehicle for Sydney Sweeney —it’s a chance to prove her toughness, perhaps her mettle as a method actor. “Because…
During my short self-directed crash course on Argentine cinema last month, I was surprised how little had been written in English on the subject. There are specialty studies, especially regarding the country’s golden era of noir filmmaking, but certainly no one-stop shop for the merely curious. My own…
There comes a tale from an antique land. A King ruled over a thin Isthmus, above and below which were two unfathomably large continents. A boat launched in the West Sea could not make port in the East, nor could a boat launched in the East Sea make…
The themes of time and guilt are ribboned together in Clint Bentley’s Train Dreams, a modest yet sweeping period drama set in the Pacific Northwest during the first half of the 20th century. Based on a Denis Johnson novella, the film chronicles a fictional — although clearly meant to…
“Baahubali!” The name rings out like music. Maybe you’ve heard it before, or maybe you haven’t, but the song sounds sweet just the same. S.S. Rajamouli’s Baahubali is back: sliced, diced, and repackaged as a single film. A two-part box office behemoth in India —The Conclusion remains the…
Justin Lin, once at the helm of the Fast & Furious franchise — including entries four through six, as well as two and nine — has made a change with the peculiar, personal Last Days. His latest backtracks through the life of John Allen Chau, a young, zealous…
Karim Leklou has a fascinating face, a seemingly unremarkable assemblage of features that acts like a blank slate; it’s a Kuleshov-effect visage. Director Clément Cogitore put this phenomenon to great use in last year’s Sons of Ramses, an as-yet-undistributed sorta-thriller that cast Leklou as a fake medium who…
Radu Jude is aiming for nothing less than the grand finale of vampire movies with his Dracula, and as a Romanian, why shouldn’t he lay claim to his heritage? This sprawling three-hour epic opens with a parade of A.I.-generated Vlad the Impalers telling us to suck their cocks.…
Desolate, grim, and hopelessly introverted, The Boss’s album Nebraska captures a slice of America that’s as caustic and fresh today as it was in 1981. You put it on, and you’re there: sipping a Miller Lite in a lonely roadhouse, trawling a boardwalk in the dead of night,…
Exactly how does one go about commencing a review for something titled Chainsaw Man – The Movie: Reze Arc? Some useful context is in order: Chainsaw Man began life as a (still-running) manga series created by Tatsuki Fujimoto, with the first volume originally published in 2018. The series…
It’s been a quarter century since The Blair Witch Project first terrorized unsuspecting audiences. In the ensuing years, it’s been difficult to find much innovation in the found footage subgenre. More often a clearing house for cheap streaming filler or a quick, no-frills calling card for ambitious young…
This evening, like every evening, you settle in to listen to a song from Cole Porter’s songbook. There is nothing like the sharp lash of Cole Porter that assures one of American ingenuity. There is nothing like the affirmation of Cole Porter that reminds you that it is…
1992’s The Hand That Rocks the Cradle is B-movie perfection, a secretly elegant story of women in competition that satirizes both maternity and sorority. And on top of that, the film gives viewers a diabolically great performance from Rebecca De Mornay as its villain, a woman out for…