Walk Up Walk Up is Hong Sang-soo’s trickiest film since The Day After (2017), and his most intricately structured effort since The Day He…
The New York Film Festival officially kicks off today, and as per usual, the slate reflects careful, considered programming from the team, curating a…
Bros is a would be rom-com lacking in comedy, chemistry, and untroubled rhetoric on gay culture. First off, the good news: director/co-writer Nicholas Stoller’s Bros…
Even given the present soulless age of Disney franchise resurrection, Hocus Pocus 2 is a slight and bargain bin sequel that will likely appeal only to…
Dead for a Dollar is another failed Western outing from Walter Hill, a well-intentioned but visually shoddy film that sags whenever its action disappears. After…
My Best Friend’s Exorcism is little more than empty pandering that relies on its ’80s texture and horror knockoff clichés to distract from its empty…
A fluff-piece out two months before its prime time, About Fate is a lukewarm entry into the holiday rom-com catalog. For a romantic comedy, About…
Julia Mintz’ Four Winters ends up being nothing more than a collection of haphazard, indecipherable narratives. A recounting of Jewish resistance toward, and despite, the horrors…
The Class attempts a Breakfast Club update, but ends up being more misery porn than homage. It has been 37 years since John Hughes’ The Breakfast Club graced…
Vesper is undeniably indebted to a long lineage of sci-fi antecedents, but its peculiar character and keen visual style keeps this a cut above your…
Rob Zombie’s The Munsters is a film that resists obvious classification, a pure-hearted work that is proudly and thrillingly out of step with today’s…
Blonde is visually striking and demonstrates a clear aesthetic character, but Dominik’s insistence on the dogma of his limited themes keeps it from becoming either…
A jumbled mess of clichés and empty symbols in search of deeper meaning, Mona Lisa and the Blood Moon does little more than usher viewers down…
Sissy wants to have its cake and eat it too, but all of its many ingredients don’t add up to anything new or satisfying. Viewers…
Moonage Daydream is a joyous, eccentric, and experimental documentary that should please Bowie fanatics, glam rock die-hards, and adventurous cinephiles in equal measure. If one…
Taming the Garden is a beautiful and brutal work, Jashi both in awe of the work her camera captures and aware of its destructive nature.…
There’s no denying that Tyler Perry is an auteur capable of fascinating works, but A Jazzman’s Blues is further proof that the director is…
Don’t Worry Darling fails to deliver even as much intrigue as its publicity tour, its shallow, ridiculous script resulting in a film that lands…